Author: Kurt Brokaw

Kurt Brokaw is an associate teaching professor at The New School. He also teaches film noir and early lesbian fiction at the 92nd Street Y.


Articles Written by Kurt Brokaw:

A falcon from the doc "Feathered Cocaine" made it to a Tribeca screening.

Defending Tribeca in an Era of Megabrands

Those French scamps who walked off with this year’s Best Short Oscar (LogoRama) didn’t sneak in a Tribeca Film Festival logo among their 2,500 global power players. But TFF’s simple, clean graphic wouldn’t have looked out of place next to MGM’s lion and Universal’s revolving world. TFF still has only a fraction (nine years) of… Read more »

Kate Hudson and Casey Affleck in an adaptation of Jim Thompson's "The Killer Inside Me."

Tribeca 2010 Critic's Choice: "The Killer Inside Me"

The Killer Inside Me (Michael Winterbottom. 2010. USA. 109 min.) Deep into Michael Winterbottom’s indelibly accurate rendering of Jim Thompson’s most important novel, is a defining scene in an Oklahoma jailhouse. Sheriff Lou Ford (Casey Affleck, as soulless a killing machine as any lifelong Thompson fan could wish for) is trying to cheer up the… Read more »

Chalky whitewash in "The White Meadows."

Tribeca 2010 Critic's Choice: "The White Meadows"

The White Meadows (Mohammad Rasoulof. 2009. Iran. 93 min.) “My job has to do with people’s heartaches,” says Rahmat the boatman (Hassan Pourshirazi), a serious and purposeful man whose unending task seems to be circling the tiny islands and inlets spotted through Lake Urmia, one of the largest saltwater lakes in the world. Rahmat’s specific… Read more »

Expect familiar logos to do the unexpected in Logorama.

Best of New Directors/New Films 2010: Shorts

Best of 11 Short Films from New Directors/New Films Logorama (H5: François Alaux, Hervé de Crécy, and Ludovic Houplain. 2009. France. 17 min.) And you thought only Chuck Workman could give us a fast-cut world of colliding, spiraling images we somehow retain. Advertising’s even faster, more vivid, more memorable, because the 2,500-and-counting corporate logos that… Read more »

NYC through an irreplaceable lens: that of Bill Cunningham New York.

Best of New Directors/New Films: Bill Cunningham New York

Bill Cunningham New York (Richard Press. 2010. USA. 84 min.) “I let the street speak to me.” At 80 and still pedaling a Schwinn bike (his 29th, the other 28 rode off without him), the New York Times style photographer knows Manhattan sidewalks and the women and men walking them better than anyone. Midtown strollers… Read more »

Life in the bush for two petrol-dependent teens in Samson and Delilah.

Best of New Directors/New Films: Samson and Delilah

Samson and Delilah (Warwick Thornton. 2009. Australia. 101 min.) Jeff Bridges can teach you a sad thing or two about chronic alcoholism in Crazy Heart. And if you’d like a primer in the despair of speed and heroin, look no further than Julian Schnabel’s artful filming of Lou Reed’s Berlin concert. But petrol sniffing? Well,… Read more »

Coming-of-age confusion in "The Evening Dress."

Best of New Directors/New Films: The Evening Dress

The Evening Dress (La Robe du soir) (Myriam Aziza. 2009. France. 98 min.) You can count on one hand the recent films that get adolescent sexual awakening right. If you narrow that to female adolescent sexual longings, only a few stand out. Water Lilies, made in France in 2007 about a girls’ synchronized swim team,… Read more »

Farce of the highest order in "The Red Chapel." Photo by RenC Johannsen.

Best of New Directors/New Films: The Red Chapel

The Red Chapel (Mads Brügger. 2009. Denmark. 87 min.) Repression. Imprisonment. Extermination. North Korea’s shameful secret is its network of hidden rural prisons, where over a quarter million dissidents have been locked up to rot and die. Last year’s Yodok Stories, which premiered at the Tribeca Film Festival, was a closeup look at one escapee,… Read more »

Director Mia Hansen-Love refracts the light of a fallen filmmaker in "The Father of My Children."

Best of New Directors/New Films: The Father of My Children

The Father Of My Children (Le père de mes enfants) (Mia Hansen-Love. 2009. France/Germany. 110 min.) For a long, long time in Mia Hansen-Love’s heartbreakingly beautiful tribute to the French indie film producer Humbert Balsan, the camera holds tight on the actor (Louis-Do de Lencquesaing) playing Grégoire, the maverick producer. Grégoire is brisk, casually but… Read more »

Candy Darling snags more than 15 minutes of fame in "Beautiful Darling."

Best of New Directors/New Films: Beautiful Darling

Beautiful Darling: The Life and Times of Candy Darling, Andy Warhol Superstar (James Rasin. 2010. USA. 86 min.) The defining artifact that seems to have launched the persona, transformation, and life journey (1944-74) of a Long Island boy named James Slattery was a letter from Kim Novak. It’s a generic response to a fan, but… Read more »