VR at Tribeca Film Festival
Film Critic Maddy Kadish details new advances in virtual reality storytelling through her highlights of the Immerse section at the 2017 Tribeca Film Festival.
Film Critic Maddy Kadish details new advances in virtual reality storytelling through her highlights of the Immerse section at the 2017 Tribeca Film Festival.
Staff writer Maddy Kadish explores a new ‘reality’ taking the Festival circuit by storm.
Now in its ninth year, The Independent’s 10 Filmmakers to Watch highlights filmmakers and mediamakers—directors, producers, digital media makers, animators, and others—whose upcoming work we think puts them at the forefront of the independent media scene. Submit your nominations by March 15, 2016. (It’s free to submit).
With its kitchen-sink realism and cinematographer Ante Cheng’s moody, black-and-white camerawork, the filmmaker’s quasi-autobiographical Gook stems from his childhood memories about his father defending the family business during 1992’s Los Angeles riots following the notorious, not-guilty verdicts of the four LAPD officers involved in the 1991 beating of the late Rodney King.
Three filmmaking musketeers, writer-director Charlotte “Charlie” Wells, producer Joy Jorgensen, and editor Blair McClendon, enrolled in the Masters of Fine Arts program at New York University’s Tisch School of the Arts, put their heads together to create the short film Laps. It premiered at the 2017 Sundance Film Festival.
“An educated black population could not be an enslaved black population,” Kimberlé Crenshaw, Executive Director of the African American Policy…
Senior Film Critic Kurt Brokaw picks favorites from the 26th annual fest co-presented by the Jewish Museum and the Film Society of Lincoln Center
John Cassavetes is one of the founding fathers of independent cinema. In this article Kurt Brokaw examines a rare Cassavetes interview. A powerful interview where the legendary director reflects on himself and his life, in 1989, the same year of his death.
There are a growing number of options for schools that aspiring screenwriters may choose from to better fit their goals and needs. The nation’s top choices routinely offer small workshop-style classrooms, industry experience, and a working portfolio—as well as a diploma.