At the corner of Chinatown and North Beach sits a deceptively small white door, leading to the huge space – and vision – of FilmHouse, the San Francisco Film Society’s new home for Filmmaker360. The building opened this September and, other than FilmHouse, it is still under construction. The FilmHouse space is modern and full… Read more »
The Austin Film Festival and Conference was held this past month in sunny, hip, Austin, Texas. It was my first time at the festival, and it was a thrill. Thinking of going? I hope you like barbecue. First off, the festival had booked a phenomenal set of panelists. Quite often, there’d be up to a… Read more »
“Why didn’t you leave?”—the most common question asked of domestic violence victims—is fueling the recent cultural conversation spurred by multiple NFL incidents, most notably, Ray Rice’s videotaped assault of his then fiancée Janay Palmer. Beverly Gooden’s subsequent Twitter campaign #whyIstayed broadened the discussion to a world-wide audience. Prior to this, however, documentary filmmaker Cynthia Hill… Read more »
Cinema Politica is the world’s largest campus and community-based documentary screening network, reaching a total audience of over one million across its network each year. Engaged, questioning, eager to take action: this is the type of audience filmmakers dream of.
TIFF 2014: Drafthouse’s Tim League on the State of Distribution and Oppenheimer’s “The Look of Silence”By Courtney Sheehan
From his purview at TIFF 2014, Drafthouse’s Tim League weighs what is and isn’t apocalyptic about the future of distribution in a season of down box offices and new acquisitions such as Joshua Oppenheimer’s The Look of Silence.
Remember how kids started sharing their bullying stories after the doc Bully came out? The NYC-based firm Picture Motion creates social impact campaign strategies to help independent films find audiences and affect social change. The documentary Rich Hill is one of their upcoming projects, set for release on August 1st.
Tired of all of the talk about making a movie? Take action today by signing up for one of more than a dozen short film challenges where you write, shoot, edit, and screen your film sometimes in 48 hours or less.
From playing the giant piano inspired by <i>Big</i> to starting to fan stalk other media fans, Tribeca’s cutting edge Innovation Week brought all things transmedia (and more) to the forefront of the conversation, and better yet, to the hands-on Interactive Playground. Senior producer Maddy Kadish was on the scene.
Is our nostalgia for the 80s replacing our nostalgia for the 50s? Michele Meek suggests so, using a resurgence of interest in Keva Rosenfeld’s 1987 documentary, <i>All American High</i>, as her primary example. It screens March 9th and 12th at SXSW.
Fort McMurrey’s oil production represents 20 percent of Canada’s GDP says the trailer to the interactive reality doc, <i>Fort McMoney</i>. As a result, everything there is larger than life. The real-time game, divided in episodes, is back on and anyone can dip their toe in the oil through February 16th.