Features

Digital Intermediates

By

Your next film probably won’t be digitally mastered. But the one after that probably will be. That’s how fast the costs of a digital intermediate are falling, even as the quality and benefits of digital mastering rise. Sure, digital video doesn’t have the warmth of Super 16 or 35, and you’re not about to throw… Read more »

The Medium is the Maker

By

Filmmakers are often touted for their “vision”—their singular sense of how a movie should look, sound, and feel. But every film starts on paper, with a screenplay or even just an idea for a character or a mood. A director must partner with a cinematographer, a production designer, and others to translate that idea into… Read more »

48 Hour Picture People

By

At 7:00 p.m. on a Friday night, more than twenty teams of filmmakers gather at a local film center or bar. In a random drawing one member of each team picks a film genre out of a hat. Every team is then given the same character, prop, and line of dialogue they’re required to include… Read more »

Two Steps Back

By

The Federal Communications Commission has voted to loosen media ownership laws, allowing one company to own television stations that reach forty-five percent of the American viewing audience (up from thirty-five percent). The new rules also permit cross-media ownership. Now, one corporation can own both a television station and a newspaper in the same market. On… Read more »

Counter-Currents and the Joy Quotient

By

The label “experimental” has been troubling me for a while now. For too many people, the word only conjures up the films of Brakhage, Mekas, Anger, etc. So much so that the very term has calcified within the minds of hipsters and film aficionados alike—ending the canon in the seventies. Today the notion of producing… Read more »

The View from the Whitney

By

Chrissie Iles is the curator of film and video at the Whitney Museum of American Art and has been curating for twenty-three years. Before joining the Whitney in 1997, she was head of exhibitions at the Museum of Modern Art in Oxford. Her Whitney exhibit, Into the Light: The Projected Image in American Art 1964-1977,… Read more »

Living the Indie Life

By

The notion of the starving artist is a romantic one. Sepia-toned images float through our collective minds of creative geniuses scraping together enough pennies to drink a pastis in a Boulevard Saint Germain cafe, tummies growling while masterpieces bubble up in their brains. But the reality of life in the twenty-first century requires serious cash—and… Read more »

Independents and PBS

By

The storm clouds gathering on public television’s fiscal horizon, brought on by President Bush’s 2003 proposed budget for the Corporation for Public Broadcasting, have passed for the moment. After intense lobbying from public television supporters, Congress cut CPB’s 2003 budget by 0.65 percent instead of the expected three percent. But, even though the cuts weren’t… Read more »

Puerto Rico

By

I did not come here to kill. I came here to die. – Lolita Lebrón On March 1, 1954, Lolita Lebrón and three men entered the United States House of Representatives armed with weapons. Her fist held high and wrapped in the flag of Puerto Rico, she fired four shots towards the ceiling in defense… Read more »