Features

The View from the Whitney

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Chrissie Iles is the curator of film and video at the Whitney Museum of American Art and has been curating for twenty-three years. Before joining the Whitney in 1997, she was head of exhibitions at the Museum of Modern Art in Oxford. Her Whitney exhibit, Into the Light: The Projected Image in American Art 1964-1977,… Read more »

Two Steps Back

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The Federal Communications Commission has voted to loosen media ownership laws, allowing one company to own television stations that reach forty-five percent of the American viewing audience (up from thirty-five percent). The new rules also permit cross-media ownership. Now, one corporation can own both a television station and a newspaper in the same market. On… Read more »

Counter-Currents and the Joy Quotient

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The label “experimental” has been troubling me for a while now. For too many people, the word only conjures up the films of Brakhage, Mekas, Anger, etc. So much so that the very term has calcified within the minds of hipsters and film aficionados alike—ending the canon in the seventies. Today the notion of producing… Read more »

Living the Indie Life

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The notion of the starving artist is a romantic one. Sepia-toned images float through our collective minds of creative geniuses scraping together enough pennies to drink a pastis in a Boulevard Saint Germain cafe, tummies growling while masterpieces bubble up in their brains. But the reality of life in the twenty-first century requires serious cash—and… Read more »

Puerto Rico

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I did not come here to kill. I came here to die. – Lolita Lebrón On March 1, 1954, Lolita Lebrón and three men entered the United States House of Representatives armed with weapons. Her fist held high and wrapped in the flag of Puerto Rico, she fired four shots towards the ceiling in defense… Read more »

Up to Spec for PBS

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Heather Courtney began shooting video of migrant day laborers in Texas as a graduate school thesis project, with few ideas about distribution. Los Trabajadores/The Workers eventually screened at over fifty different venues over the past year. As the film journeyed through the festival circuit and aired on PBS affiliates in Texas, Courtney never heard there… Read more »

CPB Faces Possible Budget Cuts

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President Bush’s proposed budgets for 2004 and 2005 will introduce deep cuts and radical changes for the Corporation for Public Broadcasting (CPB) if they pass through Congress later this year unaltered. In addition to a tighter budget, CPB would not receive advance appropriations for 2006. Advance appropriations allow CPB and the media entities it funds,… Read more »

Independents and PBS

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The storm clouds gathering on public television’s fiscal horizon, brought on by President Bush’s 2003 proposed budget for the Corporation for Public Broadcasting, have passed for the moment. After intense lobbying from public television supporters, Congress cut CPB’s 2003 budget by 0.65 percent instead of the expected three percent. But, even though the cuts weren’t… Read more »

The Media Policy Wars

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There is a tremendous and silent battle being fought these days, the effects of which could create a culture (locally, nationally, and globally) that is completely beholden to the media giants, even more so than the present. The old-culture industries are engaging with the new digital spaces and internet users on a number of fronts… Read more »

San Francisco Screens

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In her review of Phil Kaufman’s 1978 remake of The Invasion of the Body Snatchers, legendary film critic Pauline Kael wrote, “The story is set in San Francisco, which is the ideally right setting, because of the city’s traditional hospitality to artists and eccentrics.” This hospitality extends to movie venues. With its wealth of alternative… Read more »