By Lauren Sowa
In this installment of Women in Film Portraits, Lauren Sowa profiles Danielle Eliska Lyle, a writer, filmmaker, and photographer from Detroit. As a “black archivist,” Danielle’s life work is to tell stories (written, filmed, and photographed) of powerful women, the black diaspora, and the state of black culture. Danielle has gained notable screenwriting recognition and many awards. Her infectious spirit and passion for creative storytelling are palpable; read on!
By Paul Plett
Award Winning, Independent Filmmaker, Paul Plett, shares lessons learned making several science fiction films. From story to costumes, props, sets and locations, Plett discusses every aspect of filmmaking with an eye for fully realized sci-fi that keeps under budget. Plett draws from his experiences making shorts and his newest full-length release, Rama.
By Michele Meek
In Part 2 of “Art of the Entrepreneur,” RB (Richard Botto) interviews Michele Meek of NewEnglandfilm.com about her business: an online magazine, industry directory, jobs board, and film festival. In this candid exchange, RB and Meek discuss developing your competitive advantage, creating an online persona and brand, and monetizing your business as an entrepreneur.
By Michele Meek
In part one of this two-part interview, Michele Meek of NewEnglandFilm.com talks with RB (Richard Botto) of Stage 32 about building a personal brand and persisting as an entrepreneur. RB discusses his entrepreneurial and creative ventures, including Stage 32 and his recent book Crowdsourcing for Filmmakers: Indie Film and the Power of the Crowd.
By Lauren Sowa
In this installment of Women in Film Portraits, Lauren Sowa profiles Alicia Slimmer, Director of the Award-Winning narrative feature Creedmoria. Slimmer discusses the making of the film, its musical influences, and its festival run. In addition, Slimmer shares lessons learned in Directing Creedmoria and offers advice to women working in the film industry today. Creedmoria will be released May 18th on Amazon, iTunes, and Google Play.
By Kurt Brokaw
The Independent’s Senior Film Critic Kurt Brokaw shares his favorite full-length features and shorts from this year’s New Directors/New Films Festival in New York City. The festival, which introduces audiences to emerging filmmakers from around the world, runs Wednesday March 8th through Sunday April 8th. It is presented by the Film Society of Lincoln Center and the Museum of Modern Art.
By Mike Sullivan
Mike Sullivan describes the years-long process filmmakers Jessica Barnthouse and Stacy Buchanan undertook in making their first feature documentary, Something Wicked This Way Comes. The film featured at this year’s Boston Underground Film Festival. A revised version of the doc, titled The Man in the Mask, will be showing at festivals later this year.
By Farrah Kazemi
Farrah Kazemi speaks with Rachel Song, who in 2017 started the production company XS Media. The company stood behind two hits at the 2018 Sundance Festival—Silas Howard’s A Kid Like Jake and Christine Choe’s Nancy. Rachel shares about her experiences producing independent films and about her efforts to bring independent cinema to China.
By Isaac Rooks
In this first installment of The Global Screen essay series, Isaac Rooks writes about Shin Jeong-won’s gruesome farce, Chaw, which Rooks suggests offers more than the spectacle of a giant boar slaughtering drunken revelers at a karaoke celebration. In this essay, Rooks explores how Shin’s film utilizes practical and conceptual resources from around the world to address global audiences about common concerns.