Acclaimed actor Stephen Lang’s impressive career moves easily between indies such as this fall’s hit horror film Don’t Breathe and big studio films such as Public Enemies and Tombstone. Here he tells how his most personal indie project led to his biggest studio movie and how the two remain intertwined to this day.
Today, producer James Schamus’ Indignation plays in theaters, but back in 1990 he was working to bring the “best known unknown filmmaker” Raúl Ruiz to American cinema, on a smaller than small budget and an extraordinarily short window of opportunity. The result is The Golden Boat, a domestic film with a decidedly foreign feel.
Filmmaker Søren Sørensen recounts what prompted him to explore the Vietnam War’s impacts on his father, other veterans, and us all.
Today, a host of platforms and mobile applications aim to broaden technology’s impact, offering support in the planning stages, as well as on set, in the hopes of saving the independent filmmaker time, simplifying efforts, and maximizing the results of those efforts.
Here, The Independent provides an overview of some of the leading planning software and apps for independent filmmakers.
Three decades have passed since David Schwartz’s exploration of the connection between subjective perspectives and objective truths in documentary filmmaking, yet this essay remains as relevant and informative as ever. Reproduced here, the article was originally published in May 1986 and is also available in The Independent‘s print archives. The filmmakers of tomorrow will express themselves in the… Read more »
Of the many noteworthy commonalities from one Quentin Tarantino film to another — hello, blood — Caitlyn McHugh sounds a wake up call to one that is under the radar. Call it java, joe, or McCafe, she explains why coffee is one of Tarantino’s characters’ favorite beverages.
77 World Premieres, 42 Directorial Debuts, 23 VR exhibits and interactive installations from the leading filmmakers, and 11 Award-Winning Films to watch on the last day of the Festival. That’s what Tribeca Film Festival has in store for us this year, and The Independent is there to soak it all up.
Last year Steven Abrams said that women “brought the substance” to SXSW. This year, in keynotes and panels, they continued to call for equality and change, citing independent storytelling as fertile ground for that change.