Lilla Puskás writes on three movies featured at the 2018 Berlin International Film Festival’s Panorama section: Marilyn, Obscuro Barroco, and Tranny Fag (Bixa Travesty). In the essay, Lilla compares transgender representation through the protagonists of these related narratives. Lilla shares her reflections of how these films tackle the complexity, diversity, and fluidity of transgender identity.
Farrah Kazemi interview Morrissa Maltz about her documentary Ingrid, which premiered at this year’s Slamdance Festival in Park City. The film chronicles the reclusive, strange, and fascinating life of Ingrid Gipson; it is a character study that also reveals Maltz’s talent for color, texture, design, and nuance. Maltz shares with Farrah how she came to meet Ingrid, about securing funds for the film, and about her pending projects.
In this installment of Women in Film Portraits, Lauren Sowa profiles Caroline Mariko Stucky, an award-winning, Swiss-Japanese filmmaker and cinematographer with a fierce passion for American culture. For Caroline, film is the ultimate language. It surpasses the kaleidoscope of spoken languages that informed her childhood. In this interview, Caroline shares about coming to the United States and about taking on a predominantly male creative roles.
This March, Rendez-Vous with French Cinema returns to Lincoln Center celebrating the richness, originality, and craft of contemporary French filmmaking. The festival, organized by Florence Almozini and Dennis Lim, runs from March 8th through the 18th. Senior Film Critic Kurt Brokaw offers insightful reviews of his favorites and information on screenings.
Farrah Kazemi interviews Director Claire McCarthy and Actors George MacKay and Tom Felton at the 2018 Sundance Film Festival. The group was assembled for the premiere of Ophelia, a film that reimagines the life of Shakespeare’s tragic maiden in the classic play Hamlet. Ophelia stars MacKay as Hamlet and Felton as Laertes. McCarthy directed the film, which is based in part on a novel by Lisa Klein.
In this installment of Women in Film Portraits, Lauren Sowa interviews Kalyia Warren, the Writer/Director behind Expatriates—a love story that follows two multiracial dirt bike riders from Egypt to Cape Town. The film, now its final developments, was inspired by the people Warren I’ve met while traveling on the African continent. Warren is a graduate of NYU and is currently based in New York City.
Sharon Lewis is the creator behind the indie sci-fi film Black Girl Begins. In her debut piece for The Independent, Lewis writes about how she drew on energies of the under-served community of Afropunk women to market and distribute her film. She offers valuable advice to filmmakers on how to use social media and crowd funding as marketing and research tools, how to choose festivals wisely, and how to “re-define” a theatrical release. Brown Girl Begins is based on the award-winning novel Brown Girl in the Ring by Nalo Hopkinson.
Women in Film Portraits is a series by Artist Lauren Sowa about up-and-coming female independent filmmakers. In this first installment, Lauren interviews Iranian-American Director Natasha Kermani about major themes in her work. Look for Women in Film Portraits interviews each month at The Independent.
The Jewish Museum and the Film Society of Lincoln Center have partnered again in producing the 27th annual New York Jewish Film Festival. The festival showcases films from around the world that explore the diversity of Jewish experience. The Independent’s Senior Film Critic, Kurt Brokaw, was at this year’s festival and shares his favorites from a thrilling lineup of documentary, narrative, and short forms.