Farrah Kazemi interview Morrissa Maltz about her documentary Ingrid, which premiered at this year’s Slamdance Festival in Park City. The film chronicles the reclusive, strange, and fascinating life of Ingrid Gipson; it is a character study that also reveals Maltz’s talent for color, texture, design, and nuance. Maltz shares with Farrah how she came to meet Ingrid, about securing funds for the film, and about her pending projects.
In this installment of Women in Film Portraits, Lauren Sowa profiles Caroline Mariko Stucky, an award-winning, Swiss-Japanese filmmaker and cinematographer with a fierce passion for American culture. For Caroline, film is the ultimate language. It surpasses the kaleidoscope of spoken languages that informed her childhood. In this interview, Caroline shares about coming to the United States and about taking on a predominantly male creative roles.
Farrah Kazemi interviews Director Claire McCarthy and Actors George MacKay and Tom Felton at the 2018 Sundance Film Festival. The group was assembled for the premiere of Ophelia, a film that reimagines the life of Shakespeare’s tragic maiden in the classic play Hamlet. Ophelia stars MacKay as Hamlet and Felton as Laertes. McCarthy directed the film, which is based in part on a novel by Lisa Klein.
In this installment of Women in Film Portraits, Lauren Sowa interviews Kalyia Warren, the Writer/Director behind Expatriates—a love story that follows two multiracial dirt bike riders from Egypt to Cape Town. The film, now its final developments, was inspired by the people Warren I’ve met while traveling on the African continent. Warren is a graduate of NYU and is currently based in New York City.
Women in Film Portraits is a series by Artist Lauren Sowa about up-and-coming female independent filmmakers. In this first installment, Lauren interviews Iranian-American Director Natasha Kermani about major themes in her work. Look for Women in Film Portraits interviews each month at The Independent.
Women in Film Portraits is a series by Lauren Sowa about supporting, cheering, helping, and connecting with up-and-coming creative artists. In an industry where female voices are still underrepresented, this project is timely and vital. The series will launch in January with a profile of Iranian-American Director Natasha Kermani. New interviews will appear monthly at the magazine.
Annie Berman, named one of The Independent’s ten filmmakers to watch (2016), is a media artist living and working in New York City. Her background in photography and psychology inspires work about visual culture, virtual realities, and the changing media landscape. Her films, videos, performances, and installations have shown internationally including at the Museum of Modern Art’s Doc Fortnight, Rooftop Films, Galerie Patrick Ebensperger Berlin, Kassel Hauptbahnhof, and the Rome Independent Film Festival where she was awarded the Best Experimental Film Prize. Recently, Annie spoke with The Independent’s editor about her newest VR project—an exploration of the possibilities and limitations of virtual reality through the aftermath of Second Life.
This fall, the Coolidge Corner Theater in Brookline, Massachusetts ran a retrospective of Adrienne Barbeau’s major cult films. Mike Sullivan attended the final event—a screening of The Fog and presentation of the Coolidge Corner Theater’s “After Midnite Award” to Barbeau. Sullivan spoke briefly with Barbeau just before the screening and also attended the robust Q&A.
Critic Evan Crean interviews screenwriter Michael H. Weber and comedian Paul Scheer about the making of The Disaster Artist, and their relationship with The Room, the uproarious cult film it’s based on.
In Circle Up, Boston based filmmaker Julie Mallozzi explores the power of peacemaking circles in restorative justice. She documents women using this indigenous practice to cope with extreme violence and loss. Marie-Emmanuelle Hartness met with Julie after a screening and Q&A at the Brattle Theater in Cambridge to discuss the film’s production and its use in activism.