In November 2014, staff writer for The Independent, Dana Knight spoke with director/writer Hal Hartley. Knight also sat down with Liam Aiken to look at the Hartley’s work from a new perspective. Dana Knight (DK): This must be a very special project for you since your film debut was in Hal Hartley’s Henry Fool. What do you remember about… Read more »
Gusts of bitingly cold wind eat away at the inch of precocious snow on the ground, offering a fittingly bracing backdrop to the Rencontre Internationales de Documentaire de Montréal (RIDM). Now in it’s 17th year, the festival offers a late-in-the-season “best-of” selection of international and Canadian films that favors essays, cross-genre films and other non-traditional… Read more »
Montreal’s Festival du Nouveau Cinema (FNC) is a festival that doesn’t like to be put into neat and tidy boxes. This year’s boundary-blurring program includes everything from satirical mockumentaries to poetic documentaries that include reenacted scenes. Staff writer Patrick Pearce sat down with the directors of two narrative first features with non-fiction characteristics to chat… Read more »
Sprinkle a little adamant optimism over a new digital partnership with The Flaherty Film Seminar and a heaping embrace of the educational market, and you have a few of the most recent distribution strategies that The Cinema Guild’s Ryan Krivoshey discussed with The Independent’s Courtney Sheehan at TIFF.
Fort McMurrey’s oil production represents 20 percent of Canada’s GDP says the trailer to the interactive reality doc, <i>Fort McMoney</i>. As a result, everything there is larger than life. The real-time game, divided in episodes, is back on and anyone can dip their toe in the oil through February 16th.
Montréal’s Festival du Nouveau Cinéma (FNC) just wrapped up its 42nd edition. Following up on his evening-in-the-life of FNC Temps 0 section programmer Julien Fonfrède, The Independent’s Patrick Pearce decided to find out what’s going on in the festival’s Canadian-dedicated Focus section by speaking to a few of the directors featured in it. In 2012,… Read more »
“That day is not good for him—he’s really tied up,” writes my usually agreeable Festival du Nouveau Cinéma (FNC) communications point person. Now in its 42nd year, this Montréal festival is a broad sweep of contemporary cinema with a dozen sub-programs from “the year’s best films” in Présentation Spéciale to “gems from around the world”… Read more »
As indie filmmakers know, making a film is a long process that requires a passion that burns deeper than the holes is your pocket. There’s a certain dedication that goes into bringing a story alive that is borderline obsessive compulsive. But without that commitment, most films will never make it onto celluloid, let alone into… Read more »
Montreal’s Festival du Nouveau Cinema deals in the new, from new cinematic territories to new media forms that take their cues from film. The Independent’s Patrick Pearce met with FNC Lab section and short film programmer Philippe Gajan to chat (in English and French) about what “new” means to him, and why it is so… Read more »