Kerry McElroy announces a timely and compelling series that will run bi-monthly this fall at The Independent. The series titled, “Bette, Marilyn, and #MeToo: What Studio-Era Actresses Can Teach Us About Economics and Resistance Post-Weinstein,” highlights Hollywood legends (including Olivia de Havilland, Louise Brooks, Marilyn Monroe, and Elizabeth Taylor) who all carved out spaces of autonomy in a decidedly male-controlled film industry at the height of its exploitative powers. McElroy will reveal, through analysis that spans seven decades, what these actresses have to teach us in this contemporary moment of feminist reckoning.
Critic Evan Crean interviews screenwriter Michael H. Weber and comedian Paul Scheer about the making of The Disaster Artist, and their relationship with The Room, the uproarious cult film it’s based on.
Actor, writer, and musician Zoe Lister-Jones makes her directorial debut with the dramedy Band Aid. The Independent’s Evan Crean caught up with Lister-Jones about the film’s exploration of a long term relationship–its deep wounds and power dynamics–her decision to hire an all-female crew for Band Aid, and how Jewish identity enters into her art.
Demetri Martin brings his unique brand of visual humor to the big screen in the new dramedy Dean. The Independent’s Evan Crean spoke with Martin about his move to directing, his many lessons learned, and where the ideas for his artwork and comedy originate.