With its kitchen-sink realism and cinematographer Ante Cheng’s moody, black-and-white camerawork, the filmmaker’s quasi-autobiographical Gook stems from his childhood memories about his father defending the family business during 1992’s Los Angeles riots following the notorious, not-guilty verdicts of the four LAPD officers involved in the 1991 beating of the late Rodney King.
Articles Tagged narrative
After a post-screening Q&A session, Cabral, 28, spoke to Neil Kendricks about his risky modus operandi and tackling the challenging logistics of filming on location in the Najayo prison where approximately 70,000 prisoners are crammed into a facility built for 20,000 inmates. Sometimes, art can emerge from the most unlikely places.
There are a growing number of options for schools that aspiring screenwriters may choose from to better fit their goals and needs. The nation’s top choices routinely offer small workshop-style classrooms, industry experience, and a working portfolio—as well as a diploma.
Originally published in the January/February 2005 issue of The Independent, this article is also available in our archives. A long time ago, in a film school far, far away (from NYU), a young man with big dreams and a small bank account made a short film with a long title. His name was George. And… Read more »
Earlier this year, independent filmmaker Joe Garrity debuted Twinsburg, a short film about identical twin brothers, Jerry and Paul, who reconnect at the largest gathering of twins in a small town in Ohio. In this essay, Garrity chronicles the making of the story and its impact on his relationship with his own twin, who he played opposite in the film — as well as how he plans to expand it from a short into something greater.
Today, producer James Schamus’ Indignation plays in theaters, but back in 1990 he was working to bring the “best known unknown filmmaker” Raúl Ruiz to American cinema, on a smaller than small budget and an extraordinarily short window of opportunity. The result is The Golden Boat, a domestic film with a decidedly foreign feel.
“I didn’t want her to be just a girl looking. She had to drive herself…” says director Sanna Lenken about My Skinny Sister. The story is in the POV of a young girl whose sister has an eating disorder. Lenken talks with Dana Knight about how she adapted events from her life into her first feature-length fiction film.
For this edition of Filmmakers and Their Global Lens, The Independent’s special contributor Dana Knight speaks with co-creators about collaboration, acting and more. Knight initially spoke with Alex Holdridge and Linnea Saasen in Toronto in September. Dana Knight (DK): Could you please introduce the film and tell us what inspired it and how the whole process… Read more »