Filmshop is a New York City-based filmmaker collective founded on the idea that all filmmakers can benefit from constructive feedback and from thinking critically about the work of others. Members meet weekly to workshop everything from treatments to fine cuts in a range of formats and genres. Hillary Nussbaum, Co-Leader of the South Brooklyn Chapter of Filmshop, provides tips that she’s learned about giving and receiving effective feedback from ten years of experience as a workshop leader.
Articles Tagged Scriptwriting
There are a growing number of options for schools that aspiring screenwriters may choose from to better fit their goals and needs. The nation’s top choices routinely offer small workshop-style classrooms, industry experience, and a working portfolio—as well as a diploma.
Originally published in the January/February 2005 issue of The Independent, this article is also available in our archives. A long time ago, in a film school far, far away (from NYU), a young man with big dreams and a small bank account made a short film with a long title. His name was George. And… Read more »
Earlier this year, independent filmmaker Joe Garrity debuted Twinsburg, a short film about identical twin brothers, Jerry and Paul, who reconnect at the largest gathering of twins in a small town in Ohio. In this essay, Garrity chronicles the making of the story and its impact on his relationship with his own twin, who he played opposite in the film — as well as how he plans to expand it from a short into something greater.
Editor’s note: Our friend Randy Steinberg sent along an essay he originally wrote for Scriptshadow and we asked if we could re-publish. He said yes. Author’s note: Throughout this essay, when I refer to screenwriting it should be meant to understand I am discussing theatrical film writing as opposed to television writing. I received a… Read more »
Partway through Homer’s The Odyssey, the hero Odysseus is advised, in the midst of epic challenges, “Even his griefs are a joy long after to one that remembers all that he wrought and endured.” The line is grandiose and majestic, but it somehow feels relevant to young filmmaker Danny Powell, whose first feature, Homer and… Read more »
This may well be a cautionary tale of having good email etiquette. After wrapping Terry Miles’ A Night for Dying Tigers (2010) actress Lauren Lee Smith sent Miles a note thanking him for the experience and saying how great it would be to work together again some day. Next thing she knew, she was attached… Read more »
You don’t have to spend your whole savings and attend a graduate program in Los Angeles or New York to learn screenwriting. In fact, could a program, unshackled from geographic proximity to Hollywood, actually be a unique and advantageous experience for its students? The programs at Carnegie Mellon University in Pennsylvania, Hollins University in Virginia,… Read more »
Writer/actor Kenny Stevenson and his wife, actress Dorien Davies, joined forces with producer Lisa Rudin and director Eric Kissack to make the award-winning indie comedy, Missed Connections. In it, Stevenson plays Neal, who answers “Missed Connections” ads on the Internet so he can “pick up chicks.” While pretending to be the guy the woman is… Read more »
Providence, Rhode Island, director Laura Colella was gearing up for the Los Angeles Film Festival earlier this week. Her third narrative feature, Breakfast With Curtis, will get its world premiere screening before an audience on June 14th. Colella has won more than 20 awards for her previous work and was one of Filmmaker Magazine’s 25… Read more »