Articles Tagged Television

Room for INPUT

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The International Public Television (INPUT) conference was hosted this year by Independent Television Service (ITVS). Held in a different country (and hosted by a different public media outlet) each year, INPUT serves public television executives and independent producers from around the planet through screenings and discussions about some of the most innovative and controversial programming… Read more »

How much should I hustle?

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Dear Doc Doctor: My film projects and ideas are well-suited for public television. But as an independent filmmaker I can’t envision my work fitting into pre-formatted programs. Do I have any options besides just selling a finished film? To work for or work with—to give up creative control for the safety of a check, or… Read more »

Big Bird and Beyond

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Lois Vossen thinks she has the best job in the world. She works 60 hours a week, and much of her time is spent thinking about or watching films about some of the most deeply troubling aspects of humanity: genocide, the child sex trade, domestic abuse, and sweat shops, to name just a few. But… Read more »

Q/A: Tamara E. Robinson

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Rebecca Carroll: Where are we with public television? What do people—both those who are watching and not watching—need to know about public television now that’s different from 10 years ago? Tamara E. Robinson: Perhaps the most important thing to underscore is something often taken for granted: Public television is free of charge, and available to… Read more »

National Center for Outreach

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Public television stations have always been dedicated to airing programs that help their communities. But after the programs have aired, how can inspired community members actually take up the cause? For three years, the National Center for Outreach has tried to help expand public TV’s mission by orchestrating community activities with local and national stations…. Read more »

PBS’s Double Bind

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There’s a phenomenon afoot that is increasingly evident this year—at Sundance, Real Screen, and beyond. Let’s call it producer fatigue; what was formerly indignation with PBS has morphed into simple dismissal. It seems so complicated, the thought goes, why work with public television at all? In a year when public television funding sources brought a… Read more »

Colorvision

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Marc Henry Johnson, executive producer and chief visionary of the newly premiered public television series Colorvision, is a passionate advocate for fair and balanced representation of minority cultures on our airwaves and movie screens. Disarmingly affable, Johnson is also politically savvy, articulate, and inclusive-minded. With Colorvision, an interesting, if at times overly ambitious, showcase of… Read more »

Two Steps Back

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The Federal Communications Commission has voted to loosen media ownership laws, allowing one company to own television stations that reach forty-five percent of the American viewing audience (up from thirty-five percent). The new rules also permit cross-media ownership. Now, one corporation can own both a television station and a newspaper in the same market. On… Read more »

"EGG" Expands

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Even though no new episodes will be produced past the current season, the production unit behind PBS’s "EGG": The Arts Show is going strong. Not only has the show recently picked up a 2002 Peabody Award (the third for the production unit, which also received Peabodies in 1997 for "City Arts" and in 2000 for… Read more »

Pitching to PBS

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Ever wanted to pitch an idea to one of the PBS strands but didn’t know how? Well The Independent has put together this rundown of the programs that keep their doors open for ideas from indie producers. American Experience—accepts pitches Watched in nearly eight million homes each week, American Experience has told stories of the… Read more »