Reviews

3-D (Like it Used to Be) in ‘53

Critic Kurt Brokaw reflects on life as a theater staffer in 3-D's heyday, and on some of the '50s best 3-D films, recently showcased at the Film Forum in New York.


Arlene Dahl (left) fell for Fernando Lamas (right) both on and off screen in "Sangaree."

The omnipresence of today's 3-D has roots in grand theaters outfitted with twin projectors that brought the scary "Gill-Man" to life from the Black Lagoon and threatened to pour wax all over your sweetheart and install him or her in a Wax Museum. Kurt Brokaw witnessed 3-D's golden era firsthand and recently saw the best from 1953-54 again, wearing his customized 3D frames. How does he think today's 3-D experiences stack up?

In 1953 and ‘54, this critic was popping the popcorn, changing the marquee, and patrolling the aisles of the Ritz Theater in Indianapolis, making sure couples kept both feet on the floor at all times. Being on staff at a neighborhood movie house as a high school student was the perfect introduction to the film business—particularly to 3-D.

On the Fast Track of Derby History

Roller derby expert Steven LaFond (aka “Pelvis Costello”) recommends five documentaries that chart the rise of the modern roller derby revival.


From "Blood on the Flat Track," (photo by Michael Coyote).

According to Steven LaFond, err...Pelvis Costello, roller derby is back. With a vengeance. Get to know the real story behind its reemergence with five must-see documentaries, from the classic Blood on the Flat Track to the most recent Hugs and Bruises.

Late last year, Drew Barrymore’s Whip It was released in theaters, giving the mainstream a fictional take on the world of modern roller derby. The story, adapted from the novel Derby Girl by Shauna Cross, focuses on an outcast teen who finds confidence and her inner power by joining the banked track league of Austin, Texas.

Tribeca 2010 Critic's Choice: "Cairo Time"

Kurt Brokaw hand selects and reviews films from Tribeca 2010.


Patricia Clarkson as Juliette and Alexander Siddig as Tareq in "Cairo Time."

Cairo Time

(Ruba Nadda. 2009. Canada/Ireland/Egypt. 89 min.)

Tribeca 2010 Critic's Choice: "Sex&Drugs&Rock&Roll"

Kurt Brokaw hand selects and reviews films from Tribeca 2010.


Andy Serkis as Ian Dury.

Sex&Drugs&Rock&Roll

(Mat Whitecross. 2009. UK. 115 min.)

Tribeca 2010 Critic's Choice: "Visionaries"

Kurt Brokaw hand selects and reviews films from Tribeca 2010.


Still from a PS1 gallery exhibition of Jonas Mekas's images, 1960 to the present (courtesy PS1).

Visionaries

(Chuck Workman. 2010. USA. 90 min.)

Tribeca 2010 Critic's Choice: "The White Meadows"

Kurt Brokaw hand selects and reviews films from Tribeca 2010.


Chalky whitewash in "The White Meadows."

The White Meadows

(Mohammad Rasoulof. 2009. Iran. 93 min.)

Defending Tribeca in an Era of Megabrands

In addition to serving up his top choices from Tribeca 2010, reviewer Kurt Brokaw celebrates the festival's sprawling, something-for-everyone approach.


A falcon from the doc "Feathered Cocaine" made it to a Tribeca screening.

Kurt Brokaw stamps his critic's seal on select films from Tribeca 2010 and explains why the festival deserves a nod for nine years of expansive programming in a post-9/11 neighborhood... and world.

Those French scamps who walked off with this year’s Best Short Oscar (LogoRama) didn’t sneak in a Tribeca Film Festival logo among their 2,500 global power players.

Tribeca 2010 Critic's Choice: "The Killer Inside Me"

Kurt Brokaw hand selects and reviews films from Tribeca 2010.


Kate Hudson and Casey Affleck in an adaptation of Jim Thompson's "The Killer Inside Me."

The Killer Inside Me

(Michael Winterbottom. 2010. USA. 109 min.)

Best of the Shorts: Tribeca 2010

From real-life "Missed Connections" to an elementary boy in love with his teacher, Michele Meek selects her favorites from Tribeca's 2010 line-up of short films.


A still from "Delilah, Before."

Who says short films don't get enough attention? Michele Meek watched nearly 40 at the 2010 Tribeca Film Festival in order to pluck the best and brightest narrative and documentary shorts for your future (or immediate) viewing pleasure. Included are clips and trailers.

At the movies, I want to laugh out loud, clutch my armrest in terror, weep uncontrollably, and be amazed. I’ll admit my standards are high and past Tribeca Film Festivals have been serious enablers of my lofty expectations. So I suppose it was inevitable that one year I would be a tad disappointed by their selection of short films.

This was that year.

Best of New Directors/New Films: Shorts

Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.


Posted in
Expect familiar logos to do the unexpected in <i>Logorama</i>.

Logorama, Quadrangle, and Looking At Animals make Kurt Brokaw's cut for the best of the shorts at New Directors/New Films. Common denominator: they open fast and strong. Brokaw adds a final note regarding the importance of attention-grabbing opening scenes here.

Best of 11 Short Films from New Directors/New Films

Logorama
(H5: François Alaux, Hervé de Crécy, and Ludovic Houplain. 2009. France. 17 min.)

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