April 2003
Guerrilla Girls Take On Film Industry Sexism
April 1st, 2003 | Charlie SweitzerFrom our billboard last year we were invited on a few conservative radio talk shows, which really surprised us, says the Käthe Kollwitz of the Guerrilla Girls, an anonymous feminist arts agitation group. But we learned something really interestingthe only thing ultra-conservatives hate more than feminism is the film industry! So theyre our new best friends!
Q&A with Larry Meistrich of Film Movement
"I wanted to create a platform for people who are educated, sophisticated, and culturally connected no matter where they live"
April 1st, 2003 | Jason GuerrasioWhat is Film Movement?
FCC Changes Afoot?
Forum Addresses TV Deregulation Issues
April 1st, 2003 | Charlie SweitzerWhat do a former president of the Screen Actors Guild, the host of a long-running Harlem public access show, vice presidents at Fox and CBS, and Federal Communications Commission chairman Michael Powell have in common?
Unlocking the Secrets of the Screening Committee
April 1st, 2003 | Aaron KrachFor almost every independent film its first exhibition space will be a festival screening room.
The Media Policy Wars
New Technology Meets Old Industry
April 1st, 2003 | Ernesto MartinezThere is a tremendous and silent battle being fought these days, the effects of which could create a culture (locally, nationally, and globally) that is completely beholden to the media giants, even more so than the present.
San Francisco Screens
Indie Film venues of the Bay area
April 1st, 2003 | Caitlin RoperIn her review of Phil Kaufmans 1978 remake of The Invasion of the Body Snatchers, legendary film critic Pauline Kael wrote, The story is set in San Francisco, which is the ideally right setting, because of the citys traditional hospitality to artists and eccentrics. This hospitality extends to movie venues. With its wealth of alternative screening spaces, San Francisco is one of the most welcoming cities in the country for non-Hollywood film.
How to think about test screenings
Be careful when and how you show unfinished work, the Documentary Doc advises
April 1st, 2003 | Fernanda RossiDear Doc Doctor: I have a fifteen minute cut of a one-hour documentary, and the editor and I are not sure about the main storyline and characters. Should I have a test screening? How many should I have?
The Independent's
Recent comments
2 weeks 26 min ago
3 weeks 1 day ago
3 weeks 6 days ago
4 weeks 15 hours ago
14 weeks 3 days ago
16 weeks 5 days ago
16 weeks 5 days ago
16 weeks 5 days ago
17 weeks 1 day ago
18 weeks 3 days ago