July/August 2004
Risky Business
Controversial films suggest a new trend
July 1st, 2004 | Matt DunneTheres an old adage in the business world that you should never risk offending a client by talking about religion or politics. What to make of the film industry, then, which in recent months appears to be dispensing with that particular rule of etiquette?
Surprise Ending
After the Apocalypse’s road to completion
July 1st, 2004 | Yasuaki NakajimaAfter the Apocalypse is a black and white science fiction film shot on 16mm, about five survivors trying to cope with the "new world" following mass destruction in the wake of World War III.
Chaos Below Canal
Tribeca’s dizzying third year slate
July 1st, 2004 | John PavlusNew York City: the one place on earth that may, at least in the eyes of its own citizens, come close to being all things to all people. Dizzying variety in every direction has always been at once the draw and curse of the placeand so too has it been for the annual Tribeca Film Festival, which took over its namesake Manhattan neighborhood for the third time this May.
Subtilting within reason
The Documentary Doctor suggests a middle path
July 1st, 2004 | Fernanda RossiDear Doc Doctor:
Should I provide subtitles for the subjects in my documentary who speak Spanglish, or other "hybrid" languages in America? I heard sub-titled films are harder to distribute.
Spik(e)ing The Indie Film Punch
Spike Lee comes full circle
July 1st, 2004 | Rebecca CarrollI met Spike Lee for the first time in the fall of 1989 at the University of New Hampshire, where Id recently transferred from, at an event in his honor hosted by the Black Student Union.
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