Open Roads Italian Film Fest May 29-June 5
Two peerless movies-about-movies top New York’s essential art cinema festival Next to the French New Wave, your critic’s cinematic tastes…
Articles
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‘Eddington’ Review: Ari Aster’s COVID Cowboys Leave Audiences Divided — But United in Ticket Queues — with Astoundingly Elusive Screenings at Cannes
CANNES — I got the golden ticket! After having spent the entirety of my brief first night at Cannes Film…
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The Conflict of Queerness, Religion and Coming-of-Age in Hafsia Herzi’s ‘La Petite Dernière (The Little Sister)’
CANNES — Every human consists of a myriad of identities that contribute to their being as a whole. But unlike…
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High-Dyke Density: Urban Fragmentations and the Black Lesbian Condition in ‘Pariah’
For American director Dianrea “Dee” Rees, the street-bound borders of 2010s Brooklyn set the scene for sapphic self-discovery in her…
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‘Sirât’ Review: Oliver Laxe Grapples with the Meaning of Sound, Sand and the Cosmos
CANNES — Oliver Laxe’s “Sirât,” one of 22 feature films competing for the coveted Palme d’Or this year, marks an…
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‘My Mom Jayne’ Review: Mariska Hargitay recounts Jayne Mansfield’s legacy and reveals long kept family secrets in feature directorial debut
CANNES — Actress Mariska Hargitay’s documentary “My Mom Jayne,” about her mother, legendary ’50s and ’60s actress Jayne Mansfield, debuted…
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Storytelling That Transcends Language Barriers: “The Mysterious Gaze of the Flamingo” at Cannes Film Festival
CANNES – Should film rely on spoken language to tell a story? After watching Diego Céspedes’ debut feature film “La…
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Cannes Film Festival Lineup and Overview: New Films From Wes Anderson, Ari Aster, Spike Lee, Richard Linklater, Kelly Reichardt
The Cannes Film Festival officially started yesterday. The highly anticipated slate for the upcoming 2025 celebration includes new films from…
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This is the CHamoru Culture Through the Eyes of Cultural Dance
Hundreds of years of colonization on Guam have led to the erasure of many aspects of its culture. One of…
