New York Jewish Film Festival Jan.10-24
The Jew in Ecstasy and Agony: Lessons From the 33rd NYJFF There are three critic’s choices, all features, in this 33rd…
Articles
‘This ain’t no party, this ain’t no disco’: The debate around concert film etiquette
The latter half of 2023 was a surprisingly hefty period for concert films. Talking Heads’ “Stop Making Sense” issued a…
Independent Theaters Stay Afloat in the Wake of SAG/WGA Strikes
The summer of 2023 was an eventful period for Hollywood. The “Barbenheimer” craze lifted the film industry out of the…
Sam Raimi and Collaboration in Independent Film
Sam Raimi over his career has gone from independent horror creative to studio filmmaker. But as the director has bounced…
You can take filmmaker Silvia Del Carmen Castaños out of Laredo, but you can’t take Laredo out of Castaños
When filmmaker Silvia Del Carmen Castaños was younger, they’d make frequent walks across the Texas-Mexico border to visit their grandmother’s…
Emerson College student-led senior showcase uplifts budding filmmakers
Though Emerson College is largely known for its renowned film program and esteemed filmmakers, some feel there are too few…
John Cassavetes: The Godfather of American Independent Cinema
There are a select handful of filmmakers who can be credited with truly changing cinema. The people that spring to…
‘The Holdovers’ (2023): Alexander Payne’s Unlikely Successor to ‘Dead Poets Society’
“O Captain! My Captain.” The iconic Walt Whitman quote frequently repeated throughout Peter Weir’s boyhood classic, “Dead Poets Society” (1989),…
Review: The Essence of Boston’s Oldest Gay Bar is Captured in ‘Playland’
“Playland,” from director and screenwriter Georden West, premiered at the Wicked Queer Documentary Film Festival last month, intriguing an audience…