How ‘Tangerine’ challenged society’s sexualization of trans women, and why it can’t end here
When Sean Baker’s crime comedy “Tangerine” was released in 2015, it surprisingly garnered mainstream success, given its budget, production and…
When Sean Baker’s crime comedy “Tangerine” was released in 2015, it surprisingly garnered mainstream success, given its budget, production and…
In the early 90s, queer cinema was experiencing a quiet revolution. Independent filmmakers were rejecting the censored or tragic depictions…
As queer dating culture bleeds into mainstream culture at a heightened rate — with the current crazes surrounding “Heated Rivalry”…
Following the film’s festival run, “The Independent” spoke with Sargent about the deeply personal origins of the project such as the risks of building a film around her own sister’s lived experience and the larger questions around disability, autonomy and care that emerged throughout her filmmaking process.
East of the Boston Common, atop a Downtown Crossing jewelry store stands James Bennett. To find him, you must walk…
Grady & The Hootin’ Bandits are a young and resourceful Colorado-based independent band hailing from small town Evergreen. Last fall brought the release of their debut self-titled EP, a blend of folk and jazz that culminates in five tracks of indie-alternative excellence — the entirety of which can be found on Spotify, Apple Music, and YouTube Music. The third song on the EP, “Hootin’ Thing,” is a particular stand out, joining piano, horns and a grainy production style with fun upbeat vocals that will leave you desperate for more.
Written and directed by Ashley Monet Long and produced by Emerson’s own Mercutio Troupe, “Jamie Has A Bomb” centers the eclectic and mechanically-apt teenager Jamie (Maya Smith), who builds a bomb with the intent to self-detonate, and her pet goldfish Judas (Darrell Mondaine), who becomes determined to prevent her untimely suicide.
Attending DOK Leipzig for the first time this year felt like stepping into a vibrant constellation of urgent stories, bold artistic voices, and unexpected emotional turns. During the three last days of the festival, I encountered very diverse films that were each a revelation. My festival journey began with Vincent Graf’s “Nonna,” shown in a packed arthouse cinema in the heart of Leipzig, and I truly couldn’t have imagined a warmer introduction to DOK Leipzig. The film is an affectionate, spirited portrait of the filmmaker’s larger-than-life grandmother, whose vibrant, sharp-witted presence illuminates every frame.
Brooks reflects on his past work and what he hopes the new subscription box service Churp.TV can provide for indie creators