Are Women Just Not Funny?: Stand Up for Women
Historically silenced in all parts of the world, comedy provides an actionable space for women to demand visibility and express…
Historically silenced in all parts of the world, comedy provides an actionable space for women to demand visibility and express…
When Sean Baker’s crime comedy “Tangerine” was released in 2015, it surprisingly garnered mainstream success, given its budget, production and…
Increased sexualization in the media today may be best reflected in a growing trend that explores sexuality within a competitive…
Roughly translating to “And your mother too,” Alfonso Cuarón’s fourth feature film and first independent film, “Y Tu Mama También”…
Peggy (Lesley Sharp) studies the face of her son’s partner, Ray (Alexander Skarsgård) closely. The two men have been seeing…
“Everyone’s mad at dad, huh?” There’s a lot trapped within the Borg house. (Literal) writing on the wall, domestic disputes…
When the lights dimmed and the screen began to flicker, I felt like I was standing in front of an altar. There was something holy about that crisp October night in Cambridge, when The Brattle theater transformed from a movie house into a cathedral of cinema. The smell of buttered popcorn floated through the air as strangers shuffled to creaky seats, their plastic cups fizzing with delicious cherry cola. It wasn’t just a screening. It was a gathering of believers. A horde of cinephiles grouped, itching for their fix.
In formalist and interpretive film histories, David Lynch’s “Twin Peaks” has been dubbed as one of the few popular postmodern…
Hikikomori: a middle-class Japanese youth withdrawn from social conventions; engages in all social interaction via computers. The 1990s and early…