Obsessed with Independent Film Since 1976

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  • “Nirvanna: The Band – the Show – the Movie” the Review

    The film is a celebration of a style that has largely disappeared from mainstream media. The comedy relies almost entirely on pop culture references and situational humor. It is a return to a simpler style of comedy, similar to that made by early YouTubers who had little but their friends and a webcam. While it still has that “early internet” feeling, Johnson and McCarroll find a way to make it relevant. Meta 4th-wall breaking and seamless restitching of never before seen archival footage are used tastefully rather than shoved in the viewer’s face. The movie is almost entirely set in real Toronto locations, harkening back to the 2000s style of mockumentary filmmaking popularised by projects like “The Office” and “Borat.”  

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    In ‘We Had a World,’ monotony is a theatrical device

    In “We Had a World,” now having its New England premiere at The Huntington, playwright Joshua Harmon does the opposite. True, the one-act play is filled with explosive family arguments and petty vendettas, but is equalized so much by its genuine writing that the tender and sweet moments, though buried underneath the drama, are just as potent. 

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    The Wrong Kind of American: On ESPN’s “The Brittney Griner Story”

    When WNBA star Brittney Griner was detained at a Russian airport in February 2022, after she was accused of traveling with vape cartridges containing cannabis oil, her wife, Cherelle Griner, became her unwavering lifeline. For 294 days, while Brittney was kept in a Russian prison, Cherelle and Brittney’s agent, Lindsay Kagawa Colas, fought tirelessly — galvanizing public attention, refusing to let Brittney’s story fade and ultimately turning a wrongfully detained athlete into a national priority. ESPN’s documentary “The Brittney Griner Story,” directed by Alex Stapleton, which premiered at Sundance this year, follows both the public campaign for Brittney’s release and what she endured to survive it.

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