David Lynch’s ‘Twin Peaks:’ Anglo-Saxon Folklore Wrapped in Plastic
In formalist and interpretive film histories, David Lynch’s “Twin Peaks” has been dubbed as one of the few popular postmodern…
Alyssa Buford
-
-
Otosan – Lonely Lord: Hikikomori, Posthumanism and the Early Works of Aphex Twin
Hikikomori: a middle-class Japanese youth withdrawn from social conventions; engages in all social interaction via computers. The 1990s and early…
-
High-Dyke Density: Urban Fragmentations and the Black Lesbian Condition in ‘Pariah’
For American director Dianrea “Dee” Rees, the street-bound borders of 2010s Brooklyn set the scene for sapphic self-discovery in her…
-
The Indirect Sex: The Sociocultural Significance of Eye Contact in Lesbian Cinema
Modern queer media is known for its commitment to the use of implicit methods to portray affection within sapphic and…
-
Zero and its Many Displays of Nothing: Xenophobia, Depersonalization and the Immigrant Experience in ‘The Grand Budapest Hotel’
Wes Anderson’s 2014 feature film “The Grand Budapest Hotel” has cemented itself as a notable piece of history in the…
