High-Dyke Density: Urban Fragmentations and the Black Lesbian Condition in ‘Pariah’
For American director Dianrea “Dee” Rees, the street-bound borders of 2010s Brooklyn set the scene for sapphic self-discovery in her…
Alyssa Buford
The Indirect Sex: The Sociocultural Significance of Eye Contact in Lesbian Cinema
Modern queer media is known for its commitment to the use of implicit methods to portray affection within sapphic and…
Zero and its Many Displays of Nothing: Xenophobia, Depersonalization and the Immigrant Experience in ‘The Grand Budapest Hotel’
Wes Anderson’s 2014 feature film “The Grand Budapest Hotel” has cemented itself as a notable piece of history in the…