The Indirect Sex: The Sociocultural Significance of Eye Contact in Lesbian Cinema
Modern queer media is known for its commitment to the use of implicit methods to portray affection within sapphic and…
Alyssa Buford
Zero and its Many Displays of Nothing: Xenophobia, Depersonalization and the Immigrant Experience in ‘The Grand Budapest Hotel’
Wes Anderson’s 2014 feature film “The Grand Budapest Hotel” has cemented itself as a notable piece of history in the…