In this second installment of The Global Screen, Thomas Britt writes about the work of Jonas Cuarón. In some ways, Cuarón’s Desierto (2015) can be seen as a timely political film, involving border disputes, contested spaces, and dispossession. The film’s heroes and villain feel alienated from their right relationship to the land. In this article, Britt considers the influence of action and horror genres on the film, specifically the ways in which 1970s genre films and Australian “Outback horror” provide a comparable narrative framework that Cuarón deftly updates in his film about violence and lines in the sand.
Articles Tagged The Global Screen
In this first installment of The Global Screen essay series, Isaac Rooks writes about Shin Jeong-won’s gruesome farce, Chaw, which Rooks suggests offers more than the spectacle of a giant boar slaughtering drunken revelers at a karaoke celebration. In this essay, Rooks explores how Shin’s film utilizes practical and conceptual resources from around the world to address global audiences about common concerns.
The Independent announces The Global Screen, a series of bi-monthly essays written by film scholars and academics interested in engaging with our readership of filmmakers, directors, artists, and activists. The series is edited by Dr. Jayson Baker, Assistant Professor in Communications at Curry College. In this introduction, Dr. Baker provides a summary of the series and a context for its purpose at this time. Essays in The Global Screen will be published over the course of the year, beginning at the end of March.