Most Recent Articles
Farrah Kazemi interview Morrissa Maltz about her documentary Ingrid, which premiered at this year’s Slamdance Festival in Park City. The film chronicles the reclusive, strange, and fascinating life of Ingrid Gipson; it is a character study that also reveals Maltz’s talent for color, texture, design, and nuance. Maltz shares with Farrah how she came to meet Ingrid, about securing funds for the film, and about her pending projects.
In this installment of Women in Film Portraits, Lauren Sowa profiles Caroline Mariko Stucky, an award-winning, Swiss-Japanese filmmaker and cinematographer with a fierce passion for American culture. For Caroline, film is the ultimate language. It surpasses the kaleidoscope of spoken languages that informed her childhood. In this interview, Caroline shares about coming to the United States and about taking on a predominantly male creative roles.
This March, Rendez-Vous with French Cinema returns to Lincoln Center celebrating the richness, originality, and craft of contemporary French filmmaking. The festival, organized by Florence Almozini and Dennis Lim, runs from March 8th through the 18th. Senior Film Critic Kurt Brokaw offers insightful reviews of his favorites and information on screenings.
The Independent announces The Global Screen, a series of bi-monthly essays written by film scholars and academics interested in engaging with our readership of filmmakers, directors, artists, and activists. The series is edited by Dr. Jayson Baker, Assistant Professor in Communications at Curry College. In this introduction, Dr. Baker provides a summary of the series and a context for its purpose at this time. Essays in The Global Screen will be published over the course of the year, beginning at the end of March.
Ryan Engley reviews the 2018 short “What Is Love?” by NYU Student Filmmaker Elle Rinaldi. The film scholar and critic praises Rinaldi’s complex treatment of love in the experimental, short form.