Most Recent Articles
In early August, as part of their “Rewind!” series, the Coolidge Corner Theater in Brighton, MA held a special 35mm screening of the 1997 film Con Air, followed by a Q&A with screenwriter Scott Rosenberg. Like all the special events held by the Coolidge, it was great fun for fans of the movie and a special treat for those coming to Con Air for the first time. The Independent’s Mike Sullivan was at the event and shares this review.
Kerry McElroy announces a timely and compelling series that will run bi-monthly this fall at The Independent. The series titled, “Bette, Marilyn, and #MeToo: What Studio-Era Actresses Can Teach Us About Economics and Resistance Post-Weinstein,” highlights Hollywood legends (including Olivia de Havilland, Louise Brooks, Marilyn Monroe, and Elizabeth Taylor) who all carved out spaces of autonomy in a decidedly male-controlled film industry at the height of its exploitative powers. McElroy will reveal, through analysis that spans seven decades, what these actresses have to teach us in this contemporary moment of feminist reckoning.
In this installment of Women in Film Portraits, Lauren Sowa profiles Joanna Pickering, a New York based filmmaker and activist who has worked in television, film, stage, and radio. Joanna has made over 20 independent films and is currently co-starring in Pelleas. Joanna talks with Sowa about this project and about her many collaborations with inspiring creative women.
In this third installment of The Global Screen, Joe Cruz discusses diasporic and nationalistic contestations emerging in Puerto Rico’s guerrilla cinema. In a way, films belonging to this movement articulate a somewhat transgressive view of Puerto Rico’s national identity. Although the century-old colonial rule continues to draw criticism, no longer is the island territory’s rural past romanticized. Instead, new cinematic discourses concerned with exploring Puerto Ricans’ national identity through the lens of current en masse migration to North American metropolis seem to be taking shape.
In May, LA-based filmmakers, Brett and Drew Pierce, completed filming their third indie horror film, Hag, shot on location in rural northwestern Michigan. The Pierce brothers became aficionados of the genre early on under the influence of their father, Bart, a special effects artist on the 1981 cult classic horror film, The Evil Dead. Rebecca Reynolds draws on conversations with the family in this exploration of Brett’s and Drew’s influences, strategies, and creative talents.