Most Recent Articles
Stephanie Stender interviews director Claire Andrade-Watkins about her documentary Some Kind of Funny Porto Rican?”: A Cape Verdean American Story and its continuing legacy 13 years after its release.
America’s largest documentary film festival celebrates its 10th anniversary with 300 features, shorts and events, showing on 16 downtown Manhattan screens. Senior Film Critic Kurt Brokaw focuses on features and shorts set in and around New York City, selecting two shorts plus three features saluting The Apollo theater, rocker Lydia Lunch, and Cinema 5’s legendary exhibitor and distributor Donald Rugoff.
The Independent’s Mike Sullivan talks to director Midge Costin about how she became a Hollywood sound editor and about her long-awaited documentary Making Waves: The Art of Cinematic Sound.
Courtney Gardner reveals insights from her conversation with filmmaker Jacqueline Olive about her award-winning documentary Always in Season, which will air on PBS on February 24, 2020. During her conversation Courtney learned about who Jacqueline is and what drew her to the film’s story, about America’s persistent history of lynching, about how silence limits the ability for restoration in communities, and about the responsibility we all share to change the status quo.
Could your screenplay one day be worth enough to display in Royal Books’ high-end collectors window in Baltimore? Owner/scholar Kevin Johnson’s new book, The Cellluloid Paper Trail, is the first definitive examination of movie scripts in the 20th century–their provenance and value from story scripts through the myriad drafts that follow. Senior film critic Kurt Brokaw deconstructs this landmark study.
The Independent’s Evan Crean sits down with writer/director Gavin Hood and journalist Martin Bright for an engaging conversation about the rich themes of loyalty, law, and journalistic integrity, and how they’re reflected in their film Official Secrets.
“What exactly does a producer do?” People outside the movie industry always want to know. So The Independent’s Rebecca Reynolds finds out from one the most prolific producers she knows: Ed Polgardy, the quintessential indie producer who has independently financed large and small films outside the studio system in a plethora of genres, all while wearing his signature black hat.