Most Recent Articles
In this fourth installment of The Global Screen, Chae Park discusses diasporic and nationalistic contestations emerging in Puerto Rico’s guerrilla cinema. In a way, films belonging to this movement articulate a somewhat transgressive view of Puerto Rico’s national identity. Although the century-old colonial rule continues to draw criticism, no longer is the island territory’s rural past romanticized. Instead, new cinematic discourses concerned with exploring Puerto Ricans’ national identity through the lens of current en masse migration to North American metropolis seem to be taking shape.
In the 1940s, two female intellectuals, coming from very different positions, began to theorize gender and economy in studio Hollywood. In this fourth series installment, Kerry McElroy delves into the changing and ironic state of affairs for actresses in the 1940s— unexpected autonomy and worsening exploitation. Food restriction, forced cosmetic surgery, suspensions, and poverty were largely the order of the tyrannical day. McElroy also looks at the last living Golden-Age star, Olivia de Havilland, and her landmark 1943 court case on contracts and suspensions.
In this installment of Women in Film Portraits, Lauren Sowa profiles award-winning Actress, Writer, Producer, and Activist Naomi McDougall Jones. Naomi wrote, produced, and starred in the 2014 indie feature film, Imagine I’m Beautiful, which took home 12 awards on the film festival circuit including 4 Best Pictures and, for Naomi, 3 Best Actress Awards and The Don Award for Best Independently Produced Screenplay of 2014. Naomi speaks with Sowa about her new film Bite Me and about being a female storyteller.
The 1930’s saw the studio system in peak Fordist condition, especially in terms of its financial and bodily control over women. “Glamour” was the disciplinary strategy of the day, and the most famous women stars of the twentieth century learned to negotiate it in new ways. In this third series installment, Kerry McElroy looks at race, queerness, and economic disadvantage in Depression-era Hollywood. Women like Mae West created new channels of power, attaining international stardom and unfathomable wealth in the process. Bette Davis, on the other hand, brought forth a watershed court case for actors’ rights, and demonstrated just how much the industry feared political agitation and class consciousness.