Shortly after Jean-Luc Godard released Breathless in1960, an exasperated journalist said to the young director: “Surely you think that a film should have a beginning, middle, and end.” “Yes,” Godard replied after a moment, “but not necessarily in that order.” Those words not only launched the French New Wave but have since inspired thousands of… Read more »
Author: David Alm
David Alm writes about film, art, and the media for magazines in New York and California. He lives in Chicago, where he also teaches collage courses on film and the humanities.
Articles Written by David Alm:
And there are so many stories to tell, too many, such an excess of intertwined lives events miracles places rumors, so dense a commingling of the improbable and mundane! — Salman Rushdie, Midnight’s Children Bollywood films are known the world over for their eye-candy dance numbers, bubblegum pop songs, and epic run times. They’re like… Read more »
LA Film with a View
In New York, a rooftop is not merely a rooftop. Part refuge, part observation deck, the roof is where New Yorkers go to escape, embrace, and celebrate their city. It’s no surprise then, that filmmakers have long used rooftops to convey New York life: they’re ubiquitous, photogenic, and, most of all, emblematic. Think of all… Read more »
In July, acclaimed Indian-born filmmaker Mira Nair (Monsoon Wedding, Mississippi Masala) unveiled her latest project: a film lab for aspiring filmmakers and screenwriters from East Africa and South Asia. Built on the Sundance Film Institute model, MAISHA—which means “zest for life” in Kiswahili—will hold its first session in August 2005 in Kampala, the capital city… Read more »