Screenwriter Mark Renshaw discusses his personal investment and creative process in the 2016 award-winning short drama Surrender, directed by Christopher Carson Emmons. The film centers on the inner life of a struggling alcoholic, played by Aram Hekinian. Surrender is Renshaw’s second film.
Originally published in the January/February 2005 issue of The Independent, this article is also available in our archives. A long time ago, in a film school far, far away (from NYU), a young man with big dreams and a small bank account made a short film with a long title. His name was George. And… Read more »
A new look at prolific yet largely unknown British filmmaker Marc Karlin’s contribution to experimental film, including some of his most powerful works from the 1970s and ’80s and why they remain just as relevant today.
Earlier this year, independent filmmaker Joe Garrity debuted Twinsburg, a short film about identical twin brothers, Jerry and Paul, who reconnect at the largest gathering of twins in a small town in Ohio. In this essay, Garrity chronicles the making of the story and its impact on his relationship with his own twin, who he played opposite in the film — as well as how he plans to expand it from a short into something greater.
Filmmaker Søren Sørensen recounts what prompted him to explore the Vietnam War’s impacts on his father, other veterans, and us all.
Three decades have passed since David Schwartz’s exploration of the connection between subjective perspectives and objective truths in documentary filmmaking, yet this essay remains as relevant and informative as ever. Reproduced here, the article was originally published in May 1986 and is also available in The Independent‘s print archives. The filmmakers of tomorrow will express themselves in the… Read more »
The second installment of a diary from the longest continually-running international film festival, it’s time to take chances – with the help of expert festival programming.
Editor’s note: Our friend Randy Steinberg sent along an essay he originally wrote for Scriptshadow and we asked if we could re-publish. He said yes. Author’s note: Throughout this essay, when I refer to screenwriting it should be meant to understand I am discussing theatrical film writing as opposed to television writing. I received a… Read more »
Director Mike Day, 10 to Watch in 2012, is the one-man turbine behind Intrepid Cinema’s documentaries. Here, Intrepid’s composer and on-location sound designer Nathaniel Mann tells The Independent about their friendship and working relationship: “Mike and I first connected in 2008 at a performance by my avant-folk outfit Dead Rat Orchestra (DRO) at London’s Cafe… Read more »