Courtney Gardner, who attended this year’s Sundance Film Festival (January 23—February 3) shares insights abut Paradise Hills, the feature debut of 28-year-old, Spanish director Alice Waddington. Bringing her love of science fiction and fantasy to the screen, Alice tells a story of women traditionally underrepresented in film. Alice spoke with Courtney about the identities she holds close, the barriers she sees and has faced in the film industry, and of the symbolism in Paradise Hills
Immigrant artisan, insatiable curator, preservationist, fearless exhibitor who got the world to understand that raw and unruly “underground” cinema could be classic independent moviemaking —Jonas Mekas did it all, passing away January 23 at age 96. Senior film critic Kurt Brokaw salutes the life and work of the pioneer who built Anthology Film Archives in lower Manhattan, proudly calling himself a filmer and not a filmmaker.
Mike Sullivan introduces readers to the Coolidge Corner Theater’s new “Summer Seminar” series by revisiting memorable screenings from the 2018 season. As part of the educational series, seminar attendees enjoy a pre-screening presentation and participate in post-film analysis, led by experts in various aspects of film: technique, theory, style, trivia, etc. In this article, Mike describes the fascinating lectures and evocative screenings of Jaws (a Coolidge Corner Theater summer tradition!) and The Silence of the Lambs.
Important News: In 2019, Independent Media Publications, LLC will transition publication of The Independent and its assets to another organization, and the current board of directors seeks to receive proposals from interested parties no later than March 1, 2019.
In this final installment of Women in Film Portraits, Lauren Sowa profiles Actress/Writer/Producer Kisha Barr, who has appeared in many television, film, and commercials. Kisha talks to Lauren about current projects, lessons learned, and about what inspires her.
Evan Crean traveled to Montreal for the 21st annual Montreal International Documentary Festival (RIDM), which took place November 8 to 18, 2018. Of the 157 films from 47 countries it screened, he offers reviews of the seven he was able to squeeze into his weekend there.
In this final installment of Bette, Marilyn, and #MeToo, Kerry McElroy brings her timely and informative series to a close. But not before considering what today’s feminists and Hollywood insiders have to say about the relevance of studio-era actresses on this contemporary moment.
The 2018 American Film Market just wrapped up in Santa Monica, California. This year saw comparably stronger sales for small, independent films. Courtney Sheehan was at the AFM, and writes about the importance of relationships and risk-taking, key themes that emerged in the conference sessions on production and distribution.
In this installment of Women in Film Portraits, Lauren Sowa profiles Writer/Director Christina Kallas on her new film Paris in Harlem as well as earlier works: 42 Seconds of Happiness and The Rainbow Experiment. Kallas shares her cinematic influences and offers advice to emergent filmmakers and artists.
As the world opened up to women’s liberation, civil rights, and new social movements, Hollywood of the 1960s doubled down on the exploitative practices that had made the industry so harmful to women. In this sixth series installment, Kerry McElroy argues that the sexual revolution stirring the larger culture, epitomized in the rise of Hugh Hefner, fanned the flames of an already misogynist, violent industry culture. As seen through the lives of Tippi Hedren and Marilyn Monroe, this article shows that the commodification of women only increased, even as the old studio system was dying. Few stars experienced the exception; read on about a compelling example: Elizabeth Taylor.