A conversation between editor Michele Meek and contributor Emily Watlington about the new book Independent Female Filmmakers, which recounts the legacy of 15 groundbreaking female filmmakers from Deepa Mehta to Cheryl Dunye to Martha Coolidge, while also highlighting the history of The Independent itself.
Articles Tagged Making Films
Macedonian filmmaker Teona Mitevska’s film Gospod postoi, imeto i’ e Petrunija or God Exists, Her Name Is Petrunya, begins on an ordinary day in the life of Petrunija. Her mother brings her breakfast, which Petrunija eats under the covers, but her mother has actually come to inform her that she has set up (another) job interview for… Read more »
Winning the Generation KPlus Crystal Bear for Best Film at this year’s Berlinale, Une Colonie, directed by Geneviève Dulude-De Celles, tells the coming-of-age story of Mylia as she enters her first year of high school. The story is wonderfully depicted by several young actors—many of whom make their debut here—such as Emilie Bierre as Mylia, Irlande Côté as… Read more »
In this interview, co-writers and co-directors Elle-Máijá Tailfeathers and Kathleen Hepburn talk with Michele Meek at Berlinale about some of the aesthetic and practical choices that went into making the film The Body Remembers When the World Broke Open.
The 2018 American Film Market just wrapped up in Santa Monica, California. This year saw comparably stronger sales for small, independent films. Courtney Sheehan was at the AFM, and writes about the importance of relationships and risk-taking, key themes that emerged in the conference sessions on production and distribution.
Annie Berman, named one of The Independent’s ten filmmakers to watch (2016), is a media artist living and working in New York City. Her background in photography and psychology inspires work about visual culture, virtual realities, and the changing media landscape. Her films, videos, performances, and installations have shown internationally including at the Museum of Modern Art’s Doc Fortnight, Rooftop Films, Galerie Patrick Ebensperger Berlin, Kassel Hauptbahnhof, and the Rome Independent Film Festival where she was awarded the Best Experimental Film Prize. Recently, Annie spoke with The Independent’s editor about her newest VR project—an exploration of the possibilities and limitations of virtual reality through the aftermath of Second Life.
Filmshop is a New York City-based filmmaker collective founded on the idea that all filmmakers can benefit from constructive feedback and from thinking critically about the work of others. Members meet weekly to workshop everything from treatments to fine cuts in a range of formats and genres. Hillary Nussbaum, Co-Leader of the South Brooklyn Chapter of Filmshop, provides tips that she’s learned about giving and receiving effective feedback from ten years of experience as a workshop leader.
Backpack Full of Cash is a new documentary by Director and Activist Sarah Mondale. The film, which is co-produced by Vera Aronow, offers an unforgiving portrayal of the charter school movement in America. Marie-Emmanuelle Hartness was at the Boston screening and talks with Mondale and Aronow about making the film and about working with Nancy Carlson-Paige and her son, Matt Damon.
Gloria Muñoz of Pitch Her Productions shares industry tips for emerging female filmmakers. Muñoz and her production company has just released Keep Me Posted, a comedic web series written and directed by Hillary Nussbaum. The series, which stars Maya Deshmukh, Terra Mackintosh, and Kim Blanck offers an unforgiving look at social media, notably the complexities of balancing online personas with authentic, real-world intimacy.
New York filmmaker Ben Garchar writes in insightful and instructive detail of his filmmaking process on the new short Jake. Ben shot over twenty percent of this deeply emotional movie on 35mm film, a decision that had big payoffs. Jake featured at Filmmakers NY and Video Revival in Brooklyn; the film was shot entirely in Berlin, where its lead actor, Kellen York, resides.