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Latest Highlights
Why Robert Eggers’ ‘Nosferatu’ is a Horrific Movie Beyond its Gothicism
When Robert Eggers’ “Nosferatu” came out on Christmas day, thousands of people packed into movie theaters across the country to…
French director Martin Jauvat talks his film ‘Baise-en-ville’ at Cannes
A refreshing gem in this year’s Festival de Cannes lineup in the Semaine de la Critique sidebar was “Baise-en-ville,” a…
Cannes Recap: The Independent’s Film Rankings
Unfortunately, our time at the Cannes Film Festival has come to a speedy close. Our four reporters at the festival…
Open Roads Italian Film Fest May 29-June 5
Two peerless movies-about-movies top New York’s essential art cinema festival Next to the French New Wave, your critic’s cinematic tastes…
‘Eddington’ Review: Ari Aster’s COVID Cowboys Leave Audiences Divided — But United in Ticket Queues — with Astoundingly Elusive Screenings at Cannes
CANNES — I got the golden ticket! After having spent the entirety of my brief first night at Cannes Film…
The Conflict of Queerness, Religion and Coming-of-Age in Hafsia Herzi’s ‘La Petite Dernière (The Little Sister)’
CANNES — Every human consists of a myriad of identities that contribute to their being as a whole. But unlike…
Editors’ Picks
New Directors New Films April 2-13
Why five brutal years of Covid haven’t dented New York’s passion for this 54th ND/NF Five years ago at this…
Rendez-Vous with French Cinema, March 6–16
23 new features make up the best highwire balancing act in Manhattan art cinema Every winter/spring for 30 years, Film…
Staff Picks: Valentines Day Edition
Hello Independent Readers! It’s Valentine’s Day, and we here at the Independent have been feeling romantic! So in the spirit…
