Rider Strong Moves On
Rider Strong grew up on television. Not like most of us, consuming it after school with a Hi-C juice box…
Interviews
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Werner Herzog Made Me Do It
Stuck in a dead-end job and worried he’d never make it as a filmmaker, Lee Kazimir decided to take Werner…
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The Future of Public Media: Talking with Pat Aufderheide
At SILVERDOCS 2008, writer Randi Cecchine talks with Pat Aufderheide, founder and director of the Center for Social Media at…
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For Inspiration, Judd Ehrlich Looked to the Subject of His New Film, “Run For Your Life”
While vampires made a big splash at this year’s Tribeca Film Festival, a documentary about a son of Transylvania carved…
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To Shoot “Flying,” Jennifer Fox Gave Up Control of Her Camera
As an award-winning director, producer and camerawoman, Jennifer Fox is certainly well-versed in all the conventions of ‘proper’ documentary filmmaking…
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“Prince Among Slaves”: Recreating History on a Budget
Prince Among Slaves, which aired in February on PBS as part of public television’s Black History Month programming, is the…
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Mastering Archival Footage: How to Find It, When to Use It
Immy Humes is adept at bringing a light touch to dark subject matter as she did in her Oscar-nominated 1991…
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Writing a Companion Book to Your Film
An examination of how the Iraq War went so wrong, Charles H. Ferguson’s documentary No End In Sight is by…
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What an Actor Looks for in a Filmmaker
He’s most recognized for his menacing role as Ethan Rom on Lost, most respected for playing the cheated-on, threatening husband…
