Shaking the Tree
Five years ago, when Deepa Mehta was about to start making her film Water in the holy city of Varanasi,…
Interviews
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Q/A: Rosario Dawson and Talia Lugacy
Rosario Dawson was sleeping when I arrived on the set of Descent at Brooklyn’s Galapagos bar/gallery on a slushy morning…
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Q&A: David Strathairn
If you’ve seen a John Sayles movie, you know who David Strathairn is. Sadly, if you’ve not seen a John…
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On the Same Page
Earlier this year, I got a call from a friend of a friend—a former executive producer of a children’s television…
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Q/A: Ryan Gosling
Ryan Gosling brought me flowers when we met for this interview on a hot Sunday in July. Our earlier scheduled…
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Q&A: BAI LING
I am somewhat embarrassed to say that I did not know exactly why I was to meet the actress Bai…
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Q/A: Terrence Howard
There was one good thing about Malcolm Lee’s 1999 studio film The Best Man: Terrence Howard. I wrote a review…
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Q/A: Tamara E. Robinson
Rebecca Carroll: Where are we with public television? What do people—both those who are watching and not watching—need to know…
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Q/A: Sharon Lockhart
Los Angeles-based artist, photographer, and conceptual filmmaker Sharon Lockhart makes films as minimal as they are pensive. There’s a predilection…