Open Roads Italian Film Fest May 29-June 5
Two peerless movies-about-movies top New York’s essential art cinema festival Next to the French New Wave, your critic’s cinematic tastes…
Review
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‘Eddington’ Review: Ari Aster’s COVID Cowboys Leave Audiences Divided — But United in Ticket Queues — with Astoundingly Elusive Screenings at Cannes
CANNES — I got the golden ticket! After having spent the entirety of my brief first night at Cannes Film…
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The Conflict of Queerness, Religion and Coming-of-Age in Hafsia Herzi’s ‘La Petite Dernière (The Little Sister)’
CANNES — Every human consists of a myriad of identities that contribute to their being as a whole. But unlike…
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‘My Mom Jayne’ Review: Mariska Hargitay recounts Jayne Mansfield’s legacy and reveals long kept family secrets in feature directorial debut
CANNES — Actress Mariska Hargitay’s documentary “My Mom Jayne,” about her mother, legendary ’50s and ’60s actress Jayne Mansfield, debuted…
