Thousand Words Finishing
…in San Francisco. Famous last words . . . “If it isn’t on the page, it won’t make it to the screen.” For more information, visit their website at: www.thousand-words.com…
…in San Francisco. Famous last words . . . “If it isn’t on the page, it won’t make it to the screen.” For more information, visit their website at: www.thousand-words.com…
…and Tribeca. The viewing agenda is increasingly complicated by embargoes (no no’s on long-form reviews or, often, any reviews) until the picture’s opening. These are set by streaming services, studios…
…free press, etc.—is crucial if we’re to talk at all about a relatively free and open society without busting our guts laughing. Teaspoon Communications airs on: MATA Community Media (Milwaukee),…
…established his company, Saffron Pictures, in 2003 in order to make commercially viable films that would raise awareness of social and humanitarian issues. “Everybody thinks they know what is commercially…
The Independentβs Patrick Pearce met with FNC Lab section and short film programmer Philippe Gajan to chat (in English and French) about what βnewβ means to him, and why it is so difficult to identify documentaries at the FNC.
Werner Herzog’s 2016 documentary Into the InfernoΒ recently screened to a packed crowd at The Coolidge Corner Theater in Brookline, Massachusetts. Herzog was there to accept the 2018 Coolidge Award and to participate in a Q&A. Mike Sullivan shares this appreciation of the filmmaker and highlights from the event.
…already scheduled to go on PBS. How do you prefer producers submit projects to you? Through the open call. Filmmakers can find out the specifics on our website, www.lpbp.org. Are…
…already scheduled to go on PBS. How do you prefer producers submit projects to you? Through the open call. Filmmakers can find out the specifics on our website, www.lpbp.org. Are…
…4044 South Keystone Ave., Indianapolis, IN 46000; phone: (317) 784-7454; www.keycinemas.com. The Film Commune Formed in 2001, the Film Commune is a collective of young directors who describe themselves as…