‘L’Abandon’ (Forsaken) Review: Can a Movie Shed its Money?
On my fifth day at the Cannes International Film Festival, a woman approached me to ask if I had seen…
On my fifth day at the Cannes International Film Festival, a woman approached me to ask if I had seen…
Within minutes of the feature, L. Sargent’s intention to shift away from her proof-of-concept 2023 short becomes obvious. Though captured by different cinematographers, both films share similar documentary-style camera work and capture a tone of devastating and tender social realism. A striking difference, however, is the father’s, Bob’s (Victor Slezak), absence in the short and significant presence in the feature, in which he almost completely replaces Anna’s fellow adoptee sister, Emily (Ali Ahn). This drastically shifts the film from a depiction of sisterhood to one of parenthood complimented by sisterhood.