China’s film industry is undergoing a recent transformation to a more multicultural “Hollywood” model under the inevitable trend of globalization. In response to the growing demand for cultural diversity, more Chinese students are choosing to study film overseas to become film professionals familiar with both cultures. We invited two international students from China to share… Read more »
Articles Tagged Making Films
A conversation between editor Michele Meek and contributor Emily Watlington about the new book Independent Female Filmmakers, which recounts the legacy of 15 groundbreaking female filmmakers from Deepa Mehta to Cheryl Dunye to Martha Coolidge, while also highlighting the history of The Independent itself.
Macedonian filmmaker Teona Mitevska’s film Gospod postoi, imeto i’ e Petrunija or God Exists, Her Name Is Petrunya, begins on an ordinary day in the life of Petrunija. Her mother brings her breakfast, which Petrunija eats under the covers, but her mother has actually come to inform her that she has set up (another) job interview for… Read more »
Winning the Generation KPlus Crystal Bear for Best Film at this year’s Berlinale, Une Colonie, directed by Geneviève Dulude-De Celles, tells the coming-of-age story of Mylia as she enters her first year of high school. The story is wonderfully depicted by several young actors—many of whom make their debut here—such as Emilie Bierre as Mylia, Irlande Côté as… Read more »
In this interview, co-writers and co-directors Elle-Máijá Tailfeathers and Kathleen Hepburn talk with Michele Meek at Berlinale about some of the aesthetic and practical choices that went into making the film The Body Remembers When the World Broke Open.
The 2018 American Film Market just wrapped up in Santa Monica, California. This year saw comparably stronger sales for small, independent films. Courtney Sheehan was at the AFM, and writes about the importance of relationships and risk-taking, key themes that emerged in the conference sessions on production and distribution.
Annie Berman, named one of The Independent’s ten filmmakers to watch (2016), is a media artist living and working in New York City. Her background in photography and psychology inspires work about visual culture, virtual realities, and the changing media landscape. Her films, videos, performances, and installations have shown internationally including at the Museum of Modern Art’s Doc Fortnight, Rooftop Films, Galerie Patrick Ebensperger Berlin, Kassel Hauptbahnhof, and the Rome Independent Film Festival where she was awarded the Best Experimental Film Prize. Recently, Annie spoke with The Independent’s editor about her newest VR project—an exploration of the possibilities and limitations of virtual reality through the aftermath of Second Life.
Backpack Full of Cash is a new documentary by Director and Activist Sarah Mondale. The film, which is co-produced by Vera Aronow, offers an unforgiving portrayal of the charter school movement in America. Marie-Emmanuelle Hartness was at the Boston screening and talks with Mondale and Aronow about making the film and about working with Nancy Carlson-Paige and her son, Matt Damon.
This article was originally published on June 5th 2013, Stanley Kubrick: the exhibition can now be seen as part of the Toronto International Film Festival between October 31st 2014 to January 25th 2015. Cinephiles and art lovers alike who will make the trek to the Los Angeles County Museum of Art (LACMA) to see the popular… Read more »
New York Film Festival’s transmedia track, Convergence, gets a visit from The Independent’s Anisha Jhaveri. She reviews two audience-driven projects, Immigrant Nation and Artifact of Fukushima: Selections From Unknown Spring.