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Cannes Recap: The Independent’s Film Rankings
Unfortunately, our time at the Cannes Film Festival has come to a speedy close. Our four reporters at the festival…
Features
‘Eddington’ Review: Ari Aster’s COVID Cowboys Leave Audiences Divided — But United in Ticket Queues — with Astoundingly Elusive Screenings at Cannes
CANNES — I got the golden ticket! After having spent the entirety of my brief first night at Cannes Film…
‘My Mom Jayne’ Review: Mariska Hargitay recounts Jayne Mansfield’s legacy and reveals long kept family secrets in feature directorial debut
CANNES — Actress Mariska Hargitay’s documentary “My Mom Jayne,” about her mother, legendary ’50s and ’60s actress Jayne Mansfield, debuted…
Storytelling That Transcends Language Barriers: “The Mysterious Gaze of the Flamingo” at Cannes Film Festival
CANNES – Should film rely on spoken language to tell a story? After watching Diego Céspedes’ debut feature film “La…
Remembering David Lynch, the Surrealist Filmmaker Maestro Behind ‘Twin Peaks’ and ‘Blue Velvet’
David Lynch, the writer-director behind surrealist cinematic revelations such as “Blue Velvet,” “Mulholland Drive” and “Twin Peaks: Fire Walk with…
Three Bewitching Occult Indies to Watch before Halloween
Movies about the occult are not a new phenomenon. Directors have been obsessed with the occult for as long as…
50th Anniversary Brings “The Texas Chainsaw Massacre” Back To The Coolidge
Fifty years ago, audiences first heard the sound of Leatherface’s grating chainsaw and saw the now iconic image of a…
Thirsting for the Forbidden: Dissecting the Monstrous Feminine
“The female vampire is abject because she disrupts identity and order; driven by her lust for blood, she does not…
The Independent Magazine’s Editorial Board Recommended Films
With the release of countless independent films, finding something to watch can often become overwhelming. What films are worth your…