Guam’s Sainas talk cultural dance in “Something to Call Our Own”
Project Inspire and PBS Guam’s enculturating dance documentary, “Something to Call Our Own,” distinguishes itself as a canonizing force for…
Review
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In ‘Peter Hujar’s Day,’ That’s the Way It Happened
“Peter Hujar’s Day” tells the unconventional true story of a day in the life of the photographer Peter Hujar, as…
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“After the Hunt” Captures the Explosive Cost of Self-Deception
Luca Guadagnino (“Call Me By Your Name,” “Bones and All,” “We Are Who We Are”) is known for slow-paced projects that linger in the moment. Locations are utilized as a force rather than a backdrop for the characters. In his newest work, “After the Hunt,” Guadagnino takes on the most terrifying force of all: the Ivy League campus.
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The ‘Homestuck’ Pilot: A Revival of an Internet Epic Draws in New Viewers and Old Fans.
While reactions to the pilot’s trailer in August voiced both concern and excitement, fans anticipate what the future of the animated debut holds.
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‘Die My Love’: The Domestic Politics of Sex, Gestural Cinema and Rock & Roll, Baby!
CANNES — If you, like me, have a soft spot for “character acting,” John Prine and a general partiality for films that make you itch just looking at them, Lynne Ramsay’s “Die My Love” might just emerge from Cannes as your perfect darling. Granted, in the world I live in, you can get away with anything if you make enough Nick Lowe references. God help the beast in me…
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Why Robert Eggers’ ‘Nosferatu’ is a Horrific Movie Beyond its Gothicism
When Robert Eggers’ “Nosferatu” came out on Christmas day, thousands of people packed into movie theaters across the country to…
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Events | Features | Film Festival | Review
Cannes Recap: The Independent’s Film Rankings
Unfortunately, our time at the Cannes Film Festival has come to a speedy close. Our four reporters at the festival…
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Open Roads Italian Film Fest May 29-June 5
Two peerless movies-about-movies top New York’s essential art cinema festival Next to the French New Wave, your critic’s cinematic tastes…
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‘Eddington’ Review: Ari Aster’s COVID Cowboys Leave Audiences Divided — But United in Ticket Queues — with Astoundingly Elusive Screenings at Cannes
CANNES — I got the golden ticket! After having spent the entirety of my brief first night at Cannes Film…
