Good Lord, Not Another Artsy Film
I am Marc Vogl, a 30-something East Coast kid who came out to San Francisco in the 90s following a…
I am Marc Vogl, a 30-something East Coast kid who came out to San Francisco in the 90s following a…
“Get on the ground, motherfuckers,” declares Wayne Coyne, directing two somewhat confused kids to lie on their chests in the…
“A hybrid of a hippie commune and capitalism,” is how revered indie film producer Effie Brown describes the goal of…
Gregg Araki is George Bush’s worst nightmare. In Araki’s parallel cinematic universes, the mainstream is subverted, what the right wing…
Sometimes my friend Laura Donovan will call me out of the blue and just say these two words: “Macaw! Macaw!”…
You have become the thing that you have mocked. That’s a paraphrase of a famous Shakespeare line, and it’s also…
In June 2004, I watched Ted Demme’s inspirational profile of 70s filmmakers, A Decade Under the Influence, which is basically…
In New York, a rooftop is not merely a rooftop. Part refuge, part observation deck, the roof is where New…
Inside Manhattan’s City Hall Academy on a dark and wet Friday morning this past February, actor Liam Neeson introduced some…