Inaugural IF/Then x Hulu Short Documentary Lab Call
…practices in documentary ethics, and be designed for a U.S. audience Be driven by (a) compelling character(s), with access to the character(s) secured Be presented in English or subtitled in…
…practices in documentary ethics, and be designed for a U.S. audience Be driven by (a) compelling character(s), with access to the character(s) secured Be presented in English or subtitled in…
…New Orleans. “I wasn’t sure I’d be able to work well [in New Orleans.] I knew I needed to finish the film, and that was number one. I kept hearing…
…we provide services for smaller public radio communities in the rural areas that can’t get them in any other way.” Indeed, MPR still earns $27 million from programming, contributions, and…
Actor, writer, and musician Zoe Lister-Jones makes her directorial debut with the dramedy Band Aid. The Independent’s Evan Crean caught up with Lister-Jones about the film’s exploration of a long term relationship–its deep wounds and power dynamics–her decision to hire an all-female crew for Band Aid, and how Jewish identity enters into her art.
Victoria Mallorga Hernandez reviews “The Living End,” which represents a rabid indictment of the Reagan and Bush administrations and their hand in the genocide of a generation of LGBTQ+ people, but through a language imbued with camp panache.
…the oil companies and the Chamber of Commerce, which is basically a spokesperson for the oil companies, have to keep doing what they’re doing, which is extract the oil that…
Horror doesn’t scare our senior film critic Kurt Brokaw. Two cutting films make his cut (<i>Buzzard</i> and <i>The Babadook</i>) plus he returns to Romania’s cinema frontier with <i>QED</i> (that’s the short title) gets unfrozen in Greenland and takes a ride with the Phantom, Nick Cave.
…In a way, this subservience to her work helps explain her curious allure while hinting at even greater curiosities. She’s actually completely forthcoming about personal and somewhat embarrassing admissions so…
Film critic Kurt Brokaw offers his favorite picks for documentaries at the 2017 Tribeca Film Festival—Clive Davis: The Soundtrack of Our Lives, Frank Serpico, and Bombshell: The Hedy Lamarr Story.