I Can’t Feel My Dad’s Love, and I Won’t. But I Know It’s There: An Essay on ‘Sentimental Value’
“Everyone’s mad at dad, huh?” There’s a lot trapped within the Borg house. (Literal) writing on the wall, domestic disputes…
“Everyone’s mad at dad, huh?” There’s a lot trapped within the Borg house. (Literal) writing on the wall, domestic disputes…
Immigrant artisan, insatiable curator, preservationist, fearless exhibitor who got the world to understand that raw and unruly “underground” cinema could be classic independent moviemaking —Jonas Mekas did it all, passing away January 23 at age 96. Senior film critic Kurt Brokaw salutes the life and work of the pioneer who built Anthology Film Archives in lower Manhattan, proudly calling himself a filmer and not a filmmaker.
Mike Sullivan introduces readers to the Coolidge Corner Theater’s new “Summer Seminar” series by revisiting memorable screenings from the 2018 season. As part of the educational series, seminar attendees enjoy a pre-screening presentation and participate in post-film analysis, led by experts in various aspects of film: technique, theory, style, trivia, etc. In this article, Mike describes the fascinating lectures and evocative screenings of Jaws (a Coolidge Corner Theater summer tradition!) and The Silence of the Lambs.
Filmmaker Søren Sørensen recounts what prompted him to explore the Vietnam War’s impacts on his father, other veterans, and us all.