A Deep Dive into Annecy’s 2025 Short Film Showcase Through the Lens of a Highly-Awarded Argentinian Creative Trio
This year, I attended the Annecy International Animation Film Festival for the first time, and it felt like the entire…
Reviews
Why Robert Eggers’ ‘Nosferatu’ is a Horrific Movie Beyond its Gothicism
When Robert Eggers’ “Nosferatu” came out on Christmas day, thousands of people packed into movie theaters across the country to…
French director Martin Jauvat talks his film ‘Baise-en-ville’ at Cannes
A refreshing gem in this year’s Festival de Cannes lineup in the Semaine de la Critique sidebar was “Baise-en-ville,” a…
‘Eddington’ Review: Ari Aster’s COVID Cowboys Leave Audiences Divided — But United in Ticket Queues — with Astoundingly Elusive Screenings at Cannes
CANNES — I got the golden ticket! After having spent the entirety of my brief first night at Cannes Film…
Memory, Shame and Footage in Michael Haneke’s “Caché”
Trigger Warning: Descriptions of suicide By October 17, 1961, France had maintained a colonial rule over Algeria for over 130…
Peace, Interrupted – ‘I’m Still Here’
“I’m Still Here” opens with a shot of Eunice Paiva (Fernanda Torres) quietly letting her body float in the salt…
Imperfections in Everyday Liaisons Through Rohmer’s “Six Moral Tales”
In the revolutionary time of Nouvelle Vague, fathered by the pioneers of Cahiers du Cinéma, the name Éric Rohmer is…
DocLisboa Interview: “exergue” – on documenta 14
An ideologically charged documentary that clocks in at 14 hours about the contemporary art scene and the world’s most prestigious…
“The Graduates”: How Hannah Logan Peterson uplifts female voices in front of and behind the camera
Writer-director Hannah Logan Peterson’s debut feature film “The Graduates” made its historic premiere last Friday as the first theatrical release…