Slave rebellion, a romance for the history books, and girls being their odd, tough selves combine for one potent antidote to Hollywood’s dearth of black lives on screen. Credit goes to Sundance 2016, according to staff writer Neil Kendricks, who says this festival “defiantly flies a multi-racial flag of true diversity.”
In its 10th year, Sundance’s New Frontier section abounded with cutting edge technology and immersive, VR experiences. Neil Kendricks and Maddy Kadish wore the headsets, goggles, and assorted cutting-edge tech in order to leave Park City momentarily behind and glimpse the future of storytelling.
Senior film critic Kurt Brokaw selects his favorites from the 25th edition of the NYJFF, which runs January 13-26, 2016. Among them are Ellis, Rabin, The Last Day, Dear God, and The Law.
Films by directors Barbara Kopple, Kristina Sorge, Douglas Sloan, Kent Jones, Jason Hutt, Marc Levin, Stephen Maing, Jimmy Goldblum, and Amy Berg are Kurt Brokaw’s critic’s picks from DOC NYC, the all-documentary festival that runs from November 12-19, 2015.
It seems I was not the only one who felt their creative urges stirring, given what I overheard behind me at the second screening,“Just reading the titles makes me want to make stuff.”
The second installment of a diary from the longest continually-running international film festival, it’s time to take chances – with the help of expert festival programming.
Senior critic Kurt Brokaw commends Tribeca’s Sharon Badal on her “peerless curating” in his annual selection of festival favorites. From the buzzy The Wolfpack to the under-the-radar shorts such as Big Boy selected by Badal, this year’s picks thus far include dramatized dance, rock legends (but not conspiracy theories), and under-helicoptered children.