This March, Rendez-Vous with French Cinema returns to Lincoln Center celebrating the richness, originality, and craft of contemporary French filmmaking. The festival, organized by Florence Almozini and Dennis Lim, runs from March 8th through the 18th. Senior Film Critic Kurt Brokaw offers insightful reviews of his favorites and information on screenings.
The Jewish Museum and the Film Society of Lincoln Center have partnered again in producing the 27th annual New York Jewish Film Festival. The festival showcases films from around the world that explore the diversity of Jewish experience. The Independent’s Senior Film Critic, Kurt Brokaw, was at this year’s festival and shares his favorites from a thrilling lineup of documentary, narrative, and short forms.
Senior Film Critic Kurt Brokaw has been a tireless champion of shorts for years. In this 8th edition of DOC NYC, America’s largest documentary festival, he views over 60 curated shorts from ten separate programs. Four are chosen for their timely and timeless quality.
Aditya Sarangi reviews Ari Gold’s lush narrative drama The Song of Swan Lake about young jazz collector, Ollie Sway, who plots to steal a valuable 78 record from his grandmother’s glamorous lake house. The film, which stars Rory Culkin and Robert Sheehan, premiered at the Oaxaca FilmFest in Mexico City and was in competition for the prestigious Best Global Feature.
The Transfiguration, Michael O’Shea, 2017, U.S.A., 1 hr. 37 min. Milo (Eric Ruffin) is a small guy. Or maybe he isn’t; his body could be either a very tall twelve or a very short seventeen. This fact about The Transfiguration’s main character is left deliberately unclear by first-time writer/director Michael O’Shea. Whatever the case, he… Read more »
Mike Sullivan reviews Liyana, a new documentary directed by Aaron and Amanda Kopp (former 10-to-watch series winners!) The film, which employs stunning animation, tells the story of five orphaned children living and dreaming in Swaziland. Liyana premiered at the LA Film Festival in June, where it won “Best Documentary.”