The Subtle Art of Awareness
…established his company, Saffron Pictures, in 2003 in order to make commercially viable films that would raise awareness of social and humanitarian issues. “Everybody thinks they know what is commercially…
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Film Festivals: On2.com
…states, “Everybody believes that broadband is the future; [our] sole focus is on the broadband consumer.” On2.com is starting with content about movies, including film trailers and shows that highlight…
IDFA 2011 – In Touch with the “Planet of Snail”
…to offer barrier-free screenings to allow deaf and blind people the opportunity to experience the film. For more information visit www.planetofsnail.com. Download the planet of snail finger-braille app at app.planetofsnail.com….
Opening With Style
…that program is usually Photoshop (Adobe, $599, www.adobe.com). To take advantage of Photoshop’s design prowess there are a few tricks to ensure that the work will look right on a…
Sunday Night Muse
…an art nonprofit by day. “We see [Open Zone] as salon-like. People come in and out on a rotating basis.” While Ocularis and its Open Zone program is funded mostly…
Publicity from Day One
…magazine (see page 59) and on our website, www.aivf.org, and the Variety website runs a good year-round list of festivals at www.variety.com. Even though the profiles of some festivals may…
“Scores of ‘Starlets’ Like Me… Fifty Bucks a Week’’
In the 1940s, two female intellectuals, coming from very different positions, began to theorize gender and economy in studio Hollywood. In this fourth series installment, Kerry McElroy delves into the changing and ironic state of affairs for actresses in the 1940s— unexpected autonomy and worsening exploitation. Food restriction, forced cosmetic surgery, suspensions, and poverty were largely the order of the tyrannical day. McElroy also looks at the last living Golden-Age star, Olivia de Havilland, and her landmark 1943 court case on contracts and suspensions.
Building a Killer Press Kit
…of facts and background. Let’s go page-by-page and see what it takes to make the perfect press kit. Part One: The cover. This obviously starts with the title of the…
Distributor FAQ: Talking to Oli Harbottle of Dogwoof Pictures
…get the film out there. By allowing the filmmakers to retain the rights, this makes the whole system a lot [more] fair, and the filmmakers are able to see revenue…