Directors, Writers, and Editors Deragh Campbell and Sofia Bohdanowicz are adept at indie film budgeting or what they call the “microbudget.” In this interview, they talk about creating and funding their film, sharing some of the tips they’ve learned along the way, such as keeping the shoot to a minimal number of days, finding locations that would offer space for free, and raising funds from Canadian grants and screening fees.
As a medium, film is unique because it captures life in a way that cannot be captured through other forms of art, like painting or photography. Film is able to represent time, its duration, and motion, which brings it the closest to capturing life itself. Even the most conventional, mainstream film or video is able… Read more »
Please visit our accompanying photo album on Facebook. In their minimalism and stillness, photographs can capture the essence of a movie. They tell us the mood of the story we can expect to see unfold on screen and particular still images have become iconic in the world of cinema. Think of Jack Nicholson’s wild-eyed, unshaven,… Read more »
Rebecca Reynolds discusses the best practices to afford or manage an indie shoot in New York City.
Pitch sessions are becoming the go-to attraction at film festivals and conferences. How are filmmakers and expert panelists making the most of these meetings? After attending a few sessions firsthand, The Independent asked film professionals for their input on how to maximize the pitch opportunity. Turns out the answers aren’t so simple. We spoke with:… Read more »
Myth #7 “I’ll go on with the film when I find the right producer.” Keep looking! The myth in all its glory Who wouldn’t want a producer or co-producer if working alone? Especially the right producer? The myth does not only concern the proverbial almighty producer, it can apply to anyone onto whom we project… Read more »
Prison Valley, a multimedia prison reform project, tells the tale of Fremont County, Colorado: a tiny patch of the Southwest packed with 13 prisons and a local economy that revolves around the incarceration of 7,735 people—many of whom are the county’s own residents. Yet it began as an idea for an audio slideshow, in a… Read more »
Sustainable Filmmaking Workshop Panelists: Miranda Bailey – Director, Greenlit Lauren Selman – Reel Green Media Eva Radke – Film Biz Recycling World premiering at SXSW 2010, Miranda Bailey’s documentary, Greenlit, portrays the hopes and eventual challenges of making the production of The River Why “green.” There is a moment at the beginning of Bailey’s documentary… Read more »
Myth #3 “A good story will find its audience no matter what.” or “Good marketing can make any story succeed.” The myth in all its glory This is a twin myth, two sides of the same coin. On the one hand, there is the idea that a story can propel itself above and against the… Read more »