https://independent-magazine.org/2021/10/13/palme-dor-winner-titane-is-now-playing-in-us-theaters/
Obsessed with Independent Film Since 1976
Obsessed with Independent Film Since 1976
Julie Ducournau’s second feature film, “Titane,” hit theaters in the United States on October 1. Much anticipation surrounded the French thriller and body horror film after its premiere at the Cannes Film Festival in July, winning the festival’s top award: the Palme d’Or. As a director and writer known for her debut feature horror film… Read more »
Spring is busting out all over New York City, with cinemas scheduled to open March 5 (25% capacity, 50-seat maximum). Online, Film at Lincoln Center and UniFrance are showcasing 18 new vital and vibrant examples of contemporary French filmmaking. The 26th annual edition includes new work from returning filmmakers plus six debut dramas. All 18… Read more »
Do you remember the last movie you saw in a real theater, up on a big screen? Our memories grow more remote by the day. For this viewer it was a screening of the sumptuous 150-minute Dwelling in the Fuchun Mountains. Directed by Gu Xiaogang, Dwelling is a multi-generational family saga that slowly unscrolls as… Read more »
You’ll forgive your 81-year-old Manhattan moviegoer if his first three reviews below putter about, pausing to stare at the pleasure of spending a few more evenings in the dark with two of France’s leading ladies. Simply put, these women were two of this viewer’s youthful heartthrobs. They were so, so French! Anouk Aimee, now 87,… Read more »
Upon the digital restoration and US release of Jane B. by Agnès V. and Kung-Fu Master! the ever-iconic Agnès Varda tells The Independent: “A lot of people love my films but I don’t know if they are commercial. That’s why I always say, ‘I don’t have a career, I just made films.’ I am marginal and I am happy to be marginal because I’m very well known in these marginal circles of cinephiles.”
Rendez-vous with French Cinema returns to New York for its 20th year with 22 North American premieres. Senior critic, Kurt Brokaw, sees the slate and divides his favorites into Youth and Crime. With Martin Scorsese as one of this year’s co-chairs, Brokaw insists that indeed, crime does pay.