A complex liminal space in ‘All the Lovers in the Night’
Director Yukiko Sode premiered her fourth feature, “All the Lovers in the Night,” at the Cannes International Film Festival last…
Japan
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Neglecting the necessary: Was Koji Fukada’s ‘Nagi Notes’ an apolitical letdown?
With a body of work that varies from short films told from the point of view of a motel bed…
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Siblinghood Beyond Blood in We Are Little Zombies
Reality is stupid. This attitude seems to be the underlying mantra of director Makoto Nagahisa’s work thus far. Crashing onto…
