Features

Protecting and Recovering Digital Footage

By

David Zimmerman, CEO of LC Technology, has helped many filmmakers resolve problems related to file corruption and data loss. In this informative “How To” piece, Zimmerman offers specific tips for preventing damage to storage cards and for protecting valuable footage.

 

 

On Art and Healing

By

The Independent’s editor speaks with Ricardo Bouyett, filmmaker, writer, and photographer of the new short No Love For Fuckboys. The film, which won “Best Experimental Short” at the Short To The Point International Film Festival, is an exploration—at once personal and more broadly social—of the intricacies of navigating dating, friendship, love, and desire after the trauma of sexual assault.

New Documentary Shines a Light on Brooklyn Teenager Miasia Clark

By

The Independent catches up with Yvonne Michelle Shirley, creator of the new documentary, Miasia: The Nature of Experience. The film, which featured at BlackStar Film Festival, chronicles the life of Brooklyn teenager Miasia Clark as she navigates her everyday world and prepares to present at the first ever Black Girl Movement National Conference. Miasia is joined in this effort by members of her activist group, Girls for Gender Equity.

 

Orphan Dreams from Swaziland

By

Mike Sullivan reviews Liyana, a new documentary directed by Aaron and Amanda Kopp (former 10-to-watch series winners!) The film, which employs stunning animation, tells the story of five orphaned children living and dreaming in Swaziland.  Liyana premiered at the LA Film Festival in June, where it won “Best Documentary.”

 

 

 

(Dis)Ability in the Work of an Australian Filmmaker

By

The Independent speaks with gough, a screen writer, director, and producer based in Australia. gough, who is legally blind, runs the successful company Beernuts Productions, which has produced a variety of documentaries, shorts, and other media content. Here gough reflects on how his disability informs his work and comedy.

Cannes 2017 Review: Loveless

By

Lilla Puskás reviews Andrey Zvyagintsev’s latest film Loveless, winner of the Jury Prize at the 2017 Cannes Film Festival. With Loveless, the award-winning Russian filmmaker returns to his earlier themes of familial and social dysfunction, focusing specifically in this film on parental neglect, human toxicity, and the virulence of media. Loveless stars Maryana Spivak and Aleksey Rozin as the parents of a runaway teen, played by Matvey Novikov.

Cannes 2017 Review: The Killing of a Sacred Deer

By

Lilla Puskás reviews Yorgos Lanthimos’s new film The Killing of a Sacred Deer, winner of Best Screenplay at the 2017 Cannes Film Festival. Like the Greek myth to which its title refers, The Killing of a Sacred Deer explores remorse, justice, and the long-term consequences of individual choice. The film is co-written by Lanthimos’s longtime writing partner Efthimis Filippou and stars Collin Farrell and Nicole Kidman.

So You Want to be a Major Film Artist?

By

Senior Film Critic Kurt Brokaw reviews Water and Sugar, a ten-film retrospective on the life and work of Director Carlo Di Palma. Brokaw examines highlights of Di Palma’s biography, connecting these to the artist’s unique and celebrated output. Water and Sugar shows at the Walter Reade theater in Lincoln Center from Friday, July 28th through Thursday, August 3rd.

Daniel Lombroso: Profile of a D.C. Filmmaker

By

Mike Sullivan profiles Washington D.C. Filmmaker Daniel Lombroso on his path toward becoming a documentarian. Lombroso recounts the making of several documentaries including 2014’s Mountain of Servants and his most recent film, Church Militant: A Right Wing Empire in the Making. Lombroso is an Associate Video Producer for Atlantic Studios, the video division of The Atlantic magazine.

How To Utilize A Painful Past in Creating a Successful Film

By

Screenwriter Mark Renshaw discusses his personal investment and creative process in the  2016 award-winning short drama Surrender, directed by Christopher Carson Emmons. The film centers on the inner life of a struggling alcoholic, played by Aram Hekinian. Surrender is Renshaw’s second film.