Now in its ninth year, The Independent’s 10 Filmmakers to Watch highlights filmmakers and mediamakers—directors, producers, digital media makers, animators, and others—whose upcoming work we think puts them at the forefront of the independent media scene. Submit your nominations by March 15, 2016. (It’s free to submit).
With its kitchen-sink realism and cinematographer Ante Cheng’s moody, black-and-white camerawork, the filmmaker’s quasi-autobiographical Gook stems from his childhood memories about his father defending the family business during 1992’s Los Angeles riots following the notorious, not-guilty verdicts of the four LAPD officers involved in the 1991 beating of the late Rodney King.
Three filmmaking musketeers, writer-director Charlotte “Charlie” Wells, producer Joy Jorgensen, and editor Blair McClendon, enrolled in the Masters of Fine Arts program at New York University’s Tisch School of the Arts, put their heads together to create the short film Laps. It premiered at the 2017 Sundance Film Festival.
Senior Film Critic Kurt Brokaw picks favorites from the 26th annual fest co-presented by the Jewish Museum and the Film Society of Lincoln Center
Before there was independent film, there was Cassavetes. In John Crittenden’s brooding cover photo to Gabriella Oldham’s 24 gathered interviews and solo statements from 1958 to 1985, he’s guarded, challenging, looking half-ready to give the interviewer a piece of his mind at any moment. Cassavetes died in 1989 at 60, having written and directed nine… Read more »
There are a growing number of options for schools that aspiring screenwriters may choose from to better fit their goals and needs. The nation’s top choices routinely offer small workshop-style classrooms, industry experience, and a working portfolio—as well as a diploma.
Over the years many labs and funds have been established to help documentary filmmakers hone the necessary skills and provide access to the resources (money) to navigate the obstacles associated with bringing a film from idea to distribution.
What many of us believed to be impossible has happened—Donald Trump will be the next President of the United States. What will this mean for independent filmmakers, arts funding, and free speech? And what can we do about it?