Critic Evan Crean interviews screenwriter Michael H. Weber and comedian Paul Scheer about the making of The Disaster Artist, and their relationship with The Room, the uproarious cult film it’s based on.
Filmshop is a New York City-based filmmaker collective founded on the idea that all filmmakers can benefit from constructive feedback and from thinking critically about the work of others. Members meet weekly to workshop everything from treatments to fine cuts in a range of formats and genres. Hillary Nussbaum, Co-Leader of the South Brooklyn Chapter of Filmshop, provides tips that she’s learned about giving and receiving effective feedback from ten years of experience as a workshop leader.
In Circle Up, Boston based filmmaker Julie Mallozzi explores the power of peacemaking circles in restorative justice. She documents women using this indigenous practice to cope with extreme violence and loss. Marie-Emmanuelle Hartness met with Julie after a screening and Q&A at the Brattle Theater in Cambridge to discuss the film’s production and its use in activism.
Senior Film Critic Kurt Brokaw has been a tireless champion of shorts for years. In this 8th edition of DOC NYC, America’s largest documentary festival, he views over 60 curated shorts from ten separate programs. Four are chosen for their timely and timeless quality.
The Independent’s Editor speaks with Gnimbin Ouattara, Associate Professor of History and International Studies at Brenau University on his new documentary Ali, mbomayé’s. The film centers on four African people who vividly remember the 1974 “Rumble in the Jungle” fight in Zaire, where Muhammad Ali, former heavyweight champion, defeated George Foreman, the undefeated world heavyweight champion in a knockout.
The continued rise of streaming platforms has had reverberating effects in online film communities. Every company, regardless of size and scope, must complete to find, maintain, and build online audiences. Courtney Sheehan shares news of new streaming services after speaking with industry reps at this year’s Toronto International Film Festival.
Courtney Sheehan reports on digital media pioneer Katerina Cizek, who has brought a new documentary project to the Toronto International Film Festival. Cizek is leading the co-creation of the MIT Open Documentary Lab, a research center for emerging new media technologies. Sheehan discusses Cizek’s newest film project and the exciting innovations in documentary filmmaking that are being explored.
Courtney Sheehan talks with Serbian Director Mila Turajlic at the 2017 Toronto International Film Festival. Turajilic’s new documentary, The Other Side of Everything (Druga strana svega) mines the depths of family history to offer an untold story of Yugoslavia’s past. The filmmaker shares about her process, her family’s fascinating story, and the role of documentary in representing and reflecting upon cultural complexities.
Backpack Full of Cash is a new documentary by Director and Activist Sarah Mondale. The film, which is co-produced by Vera Aronow, offers an unforgiving portrayal of the charter school movement in America. Marie-Emmanuelle Hartness was at the Boston screening and talks with Mondale and Aronow about making the film and about working with Nancy Carlson-Paige and her son, Matt Damon.