The US is not shy to acknowledge its long binging habits, boasting some of the highest consumption rates of digital media within the world. With such notorious patterns, it should come to no surprise that the media has been attributed to teaching us how to interact with and understand reality. The media invites us to… Read more »
Courtney Gardner reveals how the documentary short Framing Agnes reframes LGBTQ history to contextualize trans existence and raise awareness about trans stories to make them relevant for future generations.
The Independent’s Courtney Sheehan interviews prolific indie cinematographer Sean Price Williams about dreams, film heroes, and shooting Maiko Endo’s Tokyo Telepath 2020, which played at the 49th Rotterdam International Film Festival (IFFR).
Stephanie Stender interviews director Claire Andrade-Watkins about her documentary Some Kind of Funny Porto Rican?”: A Cape Verdean American Story and its continuing legacy 13 years after its release.
The Independent’s Evan Crean sits down with writer/director Gavin Hood and journalist Martin Bright for an engaging conversation about the rich themes of loyalty, law, and journalistic integrity, and how they’re reflected in their film Official Secrets.
“What exactly does a producer do?” People outside the movie industry always want to know. So The Independent’s Rebecca Reynolds finds out from one the most prolific producers she knows: Ed Polgardy, the quintessential indie producer who has independently financed large and small films outside the studio system in a plethora of genres, all while wearing his signature black hat.
A conversation between editor Michele Meek and contributor Emily Watlington about the new book Independent Female Filmmakers, which recounts the legacy of 15 groundbreaking female filmmakers from Deepa Mehta to Cheryl Dunye to Martha Coolidge, while also highlighting the history of The Independent itself.
Directors, Writers, and Editors Deragh Campbell and Sofia Bohdanowicz are adept at indie film budgeting or what they call the “microbudget.” In this interview, they talk about creating and funding their film, sharing some of the tips they’ve learned along the way, such as keeping the shoot to a minimal number of days, finding locations that would offer space for free, and raising funds from Canadian grants and screening fees.
Artist/ Writer Neil Kendricks talks with Filmmaker Just Philippot about the inspiration behind his apocalyptic vision of environmental collapse in his terrifying film, Acid. The short was one of 73 featured at the 2019 Sundance Film Festival.
Macedonian filmmaker Teona Mitevska’s film Gospod postoi, imeto i’ e Petrunija or God Exists, Her Name Is Petrunya, begins on an ordinary day in the life of Petrunija. Her mother brings her breakfast, which Petrunija eats under the covers, but her mother has actually come to inform her that she has set up (another) job interview for… Read more »