Remember 2008’s spectacular doc-based-on-a-book Man On Wire? Now it’s fictionalized as The Walk and Kurt Brokaw LOVED it. Find out what else our senior critic adored at this year’s New York Film Festival, running September 25-October 11, 2015.
Forget summer reading. (Or don’t. We love books over here, too!) Either way, add The End of The Tour, Queen of Earth, and Tangerine to your summer “watching” list.
Senior critic Kurt Brokaw commends Tribeca’s Sharon Badal on her “peerless curating” in his annual selection of festival favorites. From the buzzy The Wolfpack to the under-the-radar shorts such as Big Boy selected by Badal, this year’s picks thus far include dramatized dance, rock legends (but not conspiracy theories), and under-helicoptered children.
Is this how you want to be entertained? Senior critic Kurt Brokaw asks tough questions of a blatantly tough-on-the-senses program at this year’s New Directors/New Films. A handful of the full slate make his cut. The rest just cut.
Rendez-vous with French Cinema returns to New York for its 20th year with 22 North American premieres. Senior critic, Kurt Brokaw, sees the slate and divides his favorites into Youth and Crime. With Martin Scorsese as one of this year’s co-chairs, Brokaw insists that indeed, crime does pay.
Staff writer Neil Kendricks assesses the feature-length films that stuck with him at Sundance 2015, including The Bronze, Call Me Lucky, Finders Keepers, Kurt Cobain: Montage of Heck, and Sembene!
“With short films, you have to show your entire world in a split second,” said producer Rasmus Kastberg after the screening of his animated short Tupilaq at Sundance 2015. Maddy Kadish highlights this and a handful of other films from this year’s program of 60, selected from 8,061 submissions.
The film’s title is a strange dichotomy, writes Maddy Kadish from Sundance 2015, and the first part of Nasty Baby “is like a fantasy you don’t want to end.” She and a fellow audience member confer and decide that this film takes a dark turn, and doesn’t come back.
Felix and Meira (Maxine Giroux. 2014. Canada. 105 min) Last year’s Closing Night selection at NYJFF was Ida, this writer’s…