Tribeca 2011: Critic’s Choice – Features
…agenda in a raw, wounded, and vulnerable post-9/11 community, and here’s how well it’s worked: Since opening its doors in 2002, the festival has attracted more than three million total…
…agenda in a raw, wounded, and vulnerable post-9/11 community, and here’s how well it’s worked: Since opening its doors in 2002, the festival has attracted more than three million total…
…local news has been affected by new technology (WCNC, for example, maintains an ambitious web site as a way of expanding its local coverage), so will Van Taylor turn to…
…arts centers, community forums, exhibits, panels, conferences, and also in corporate diversity training. How do educators and community members find out about the titles you handle? Through direct mail, exhibitions,…
…Walsh indicated that they all come from the television, commercial, or film production communities, and are determined to use their experience as a way carefully to select qualified work. Site…
In this installment of Women in Film Portraits, Lauren Sowa profiles Danielle Eliska Lyle, a writer, filmmaker, and photographer from Detroit. As a “black archivist,” Danielle’s life work is to tell stories (written, filmed, and photographed) of powerful women, the black diaspora, and the state of black culture. Danielle has gained notable screenwriting recognition and many awards. Her infectious spirit and passion for creative storytelling are palpable; read on!
…visitors, free coverage on 17,000 news outlets, and three Pentagon denials that the President’s plane had in any way been compromised or even touched. Unlike Ridley Scott’s 1984 teaser spot…
…Communications Commission decides the extent to which cable companies will be required to include network DTV broadcasts in their basic service (the so-called “must carry” rule). In the meantime, as…
…in the grant department looks at all the applications to make sure they fit in the general guidelines—which can be downloaded on our website (www.fex.org). We do a first screen…
A conversation between editor Michele Meek and contributor Emily Watlington about the new book Independent Female Filmmakers, which recounts the legacy of 15 groundbreaking female filmmakers from Deepa Mehta to Cheryl Dunye to Martha Coolidge, while also highlighting the history of The Independent itself.