โCatfishโ and Lies the Internet Never Told You
…visitors, free coverage on 17,000 news outlets, and three Pentagon denials that the President’s plane had in any way been compromised or even touched. Unlike Ridley Scott’s 1984 teaser spot…
…visitors, free coverage on 17,000 news outlets, and three Pentagon denials that the President’s plane had in any way been compromised or even touched. Unlike Ridley Scott’s 1984 teaser spot…
A conversation between editor Michele Meek and contributor Emily Watlington about the new book Independent Female Filmmakers, whichย recounts the legacy of 15 groundbreaking female filmmakers from Deepa Mehta to Cheryl Dunye to Martha Coolidge, while also highlighting the history of The Independent itself.
…with your fundraising strategy, your distribution plan and your website content. Please reconsider if you can spare at least some resources on the traditional channels of communications, and if possible…
…of independent producers, for example through rental fees and artists’ appearances. This also includes residencies and workshop instructors payments. When and why did NYSCA’s film and video program come into…
Inย Circle Up, Boston-based filmmaker Julie Mallozzi explores the power of peacemaking circles in restorative justice. She documents women using this indigenous practice to cope with extreme violence and loss. Marie-Emmanuelle Hartness met with Julie after a screening and Q&A at the Brattle Theater in Cambridge to discuss the film’s production and its use in activism.
…contributed $2,500 towards development and will provide another $2,500 after the film is completed. Production Funds: Europe The first major European production grant came from the Film Commission of the…
Senior Critic Kurt Brokaw picks his top movies and shorts from the 59th New York Film Festival, including Julia Ducournau’s Titane, Ryรปsuke Hamaguchi’s Drive My Car and Rebecca Hall’s Passing as well as two shorts.
…follow the familiar indie trajectory of scrappy ambition and resilience in the face of innumerable hurdles, Evans at least had one enormous, free asset: the legacy of an artist community…
…[yet show] that the situation is difficult. Also, on the other hand, I have always loved romantic comedies. In particular, American romantic comedies. When I was a teenager that was…